Diogo Dória

“Görünmez insanların gölgelerini görüyorum” diyerek dertlenen Edward, Britanya İmparatorluğu namına çalışan bir memurdur. Yıl 1917, Birmanya’nın başkenti Rangun’dayız. Evlenmemek için yıllardır nişanlısı Molly’den kıtalarca uzak durmayı beceren Edward, Molly Rangun’a geldiği gün onu terk eder ve Güneydoğu Asya’da diyar diyar, amaçsızca gezeceği Büyük Yolculuk’a başlar; ne var ki ilk günlerdeki paniği yerini giderek melankoliye bırakır. Bu çaresiz kaçışla eğlenen, evlenmeye kararlı Molly, zayıf Edward’ın peşini bırakmaz. Hınzırlığını hiç kenara bırakmayan, çarpıcı görselliğinden hiç ödün vermeyen Büyük Yolculuk buluntu bir egzotik belgeseli çağrıştırıyor. Emperyalizm, modernite ve hareketlilik üzerine özgün bir eleştiri sunan Büyük Yolculuk tarihi olay örgüsüne modern öğeler serpiştirerek mekân ve zamanı da kendince büküyor. Büyük Yolculuk, 2012’de Tabu ile büyük ses getiren Portekizli ünlü yönetmen Miguel Gomes’in altıncı uzun metrajlı filmi ve Portekiz’in Oscar adayı.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.

A look at the art of two pairs of brothers, plastic artists: João Queiroz, Jorge Queiroz; Pedro Tropa and Francisco Tropa.

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

Having lost her place among the social elite, a widow remarries and starts a family.

Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.

On a train to Algarve, a young man recounts to a fellow passenger his past relationship with an eccentric young woman.

Episodes from throughout the entire military history of Portugal are told through flashbacks as a conscripted student of history recounts them to his fellow soldiers while they march through an African colony in revolt during 1973.

The recollections of a Portuguese teacher in the present will make us follow his father, Manuel, former fighter in our colonial war and constantly tormented with those memories. He'll walk us through the depths of the physical sites that haunt him - from training barracks to the lakes and gardens of his youth and infatuation - and also to his memory's gulf - war and passion combined, entangled, in a battle that questions or howls immemorial existential doubts.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

The film opens on a water-skiing accident - a girl (Délie) drives a speedboat and pulls a young man (Stan). They are both challenging their own limits when a crash occurs... Stan wakes up from a coma after this serious accident, to find out that genealogists are looking for an individual whose identity corresponds to his. Instead of asking himself questions about this testamentary filiation, he subscribes for Professor Starkov's legacy, and embarks for the country of Las Estrellas... Purging odyssey where intuition and telepathy accelerates the journey in time. Dharma Guns revisits the myth of Orpheus and Eurydice fighting with the tyranny of Time-God...

A film about General Humberto Delgado's brutal assassination by the Portuguese fascist police in 1965.

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.

Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.

Sarhoş bir denizci, arkadaşını öldürmüş bir öğrenciye yardım eder ve karşılığında üç altın ister. Fakat bir şartı vardır. Kaptanın Şili'de bir limanda başlayan, hayalet gemide devam eden, denizci söylence ve efsanelerinden ibaret öyküsünü dinlemelidir...

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.

Gaspard, a teenager from the suburbs of Lisbon, falls into the hands of the Ogre, a man who has made a pact with the Devil. The Ogre uses the boy to attract tourists, whom he transforms into animals and then kills. Gaspard escapes with a donkey and a dog that he has grown fond of, and in an enchanted manor, he meets the spirit of Queen D. Maria I.

A film about two young women, trying to decide how to go on with their lives and loves: Marie just dumped her boyfriend, who's married and can see her just secretly twice a week. At this point Pipa invites her to join her on a visit at her home at the coast of Portugal. Only when they are arrived there, Marie learns that Pipa has come to marry Manuel, and that she too is unsure if she'll be happy with her decision.

The search for love and redemption... Helena is a former secretary of António Fontes Morais’s who cunningly managed to get married to her boss, thus earning the title of a trophy wife. Together, they had two children: Tomás and Camila. Their firstborn is a playboy who has been living in the United States and Camila is a spoiled young woman who spends her days spending money and on her phone. The family enjoys a lavish lifestyle, but António doesn’t go without a driver and armed security since his brother Fausto was murdered, leaving his son Miguel under the care of his aunt and uncle. Helena’s hatred for the Rocha family has grown as much as the cousins Tomás and Miguel's love for Laura. So, without realizing, the nurse sees herself in the middle of a love triangle that will undermine the harmony between the Fontes Morais and Rocha families. Still, Verónica, who is totally in love with Tomás, and Helena will resort to any means necessary in order to get rid of Laura.