Raphael Montañez Ortíz
Yönetmen · d. 1934 · Brooklyn, New York, USA
Raphael Montañez Ortíz (b. 1934, New York) is a multidisciplinary artist perhaps best known for his radical performances of the 1960s as part of the Destructivist movement which he helped to articulate. Not many know that he is also a pioneer of found footage cinema who deserves greater recognition within the American filmic avant-garde. Starting in 1957, he produced a number of singular works by subjecting 16mm prints of commercially- or institutionally-produced films to a cut-up method inspired by Yaqui shamanic practices, a kind of ritualistic chance operation intended to break down their structure and thoroughly undermine their discursive power. In the mid-1980s, Montañez Ortiz continued his critical deconstructions of commercial cinema, this time exploring a novel format: the laser disc. Having created a special interactive setup at the computer lab of Rutgers University, the artist transformed micro-moments from classic films into looping, stuttering choreographies that, through obsessive repetition, reveal the tacit gestualities and subconscious inner dynamics of these seemingly innocent Hollywood scenes.
Filmler3
Film8.0BelgeselDramAn associative view of the days, nights and characters that enclosed the life of Arthur Janov, which defines in the conclusion "It's never too late to have a happy childhood". Arthur Janov (1924-2017) was a classic instance of being the right charismatic therapist at the right time - the zeitgeist. Dr. Janov first heard about the embryo to the primal scream through one of his patients when he performed conventional psycho dynamic therapy. It was an absurd theatre performance by Raphael Montañez Ortiz called "Mommy, Daddy" presented in London, 1966. The birth of Primal therapy happened when Arthur Janov's book, "The Primal Scream" was published early 1970.
Arthur Janov's Primal Therapy
2018 · 4 votes
Film5.0MüzikDramThe concept of ritual-theater has been important since the early sixties in its production. It consists of the staging of violence through real acts that appeal to equally real and live emotions with an audience, that is, the action and the reaction that it provokes in the public happen simultaneously. This art of destruction represented by Raphael Montañez Ortiz is the theatricalization of a daily destruction, which we live in day to day.
Piano Destruction Concert: Dada con Mama
2014 · 1 votes
FilmDramRaphael Montañez Ortiz tells a story about an elderly Jewish couple that didn't watch television or listen to the radio. Instead they used to talk lovingly to each other for every day of their long marriage. And in a sense there was a glow around them. When the couple were young their daughter died from polio. And so this energy or glow, in a kabbalistic sense, was their guardian angel, their daughter. Therefore...