Giulia Gam

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

The beautiful Flor marries Vadinho -- and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

A liberal interpretation of the book Galáxias, one of the most important works by the great contemporary Brazilian poet Haroldo de Campos, written between 1963 and 1976 and published in 1986. Bressane considers this work of poetry the Portuguese Finnegan's Wake. The video is a disorganized system of images: an exploration of colors, quotes and sudden inspirations created by the words. A sequence of epiphanies, rigorous in their images. The films cited act as cinematographic scenery, conferring a sense of drama to the movements of the actresses and the readings of the poems.

Story with some autobiographical touches taken from director's life.

A biography of spiritual medium and author Francisco Candido Xavier.

Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.

In a dystopian world, young people discover government secrets about the pandemic. While fighting oppression, they try to survive.

At the end of the 19th century, an influential man diplomatically defended the city of Curitiba against the action of revolutionaries in the south of Brazil to depose the country's president.

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

A man tells a story from his childhood, comparing it to his current experience.

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

A bus tour to São Paulo’s touristic spots bumps into several strange people.

A coming of age story about a boy in RIo de Janeiro, Brazil who, after his father's death, finds out about his family and where he came from.

Five stories by Brazilian writer Guimarães Rosa: in the hinterland of the State of Minas Gerais, Brazil, a man fears for his life after having killed one of the dire Brothers Dagobé, outlaws who have great influence over the region; a hitman asks a doctor what's the meaning of a name he has heard; in a farm, the landowner decides to share the use and property of the estate among his employees; a man falls in love with a girl, but she's said to have a dreadful disease; and the local butcher spends half of his time running after his mother and daughter, both utterly mad.

The intense life of Ferreira Gullar, one of the most influential poets in Brazil, is revisited by his personal friend Silvio Tendler, based on his most acclaimed work: Poema Sujo. In addition to addressing other poems by Gullar, the documentary also includes the testimony of people who lived directly with the artist's work.

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

Twenty years after seeing his family decimated by gunmen, Ben Silver returns to Albuquerque to take revenge on the person responsible for the massacre, but falls in love with his rival's daughter.

The series surrounds the damaged relationship between a saxophonist and a woman who falls in love for a former boyfriend, whom she had left to marry him.

Enemies since childhood, André Spina and Ariclenes Martins became Jacques Leclair and Victor Valentim and now compete for the spotlight in the fashion world.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

After making a Faustian bargain with a vampire for fame, a regretful young singer must find a sacred, lost artifact that might revert the curse.

In the swing of the 70s, two women fight for the love of the same man without knowing their fates were already intertwined.

Marked by tragedy, Feliciano Júnior returns to Tubiacanga as Raimundo Flamel, driven by the desire to avenge the death of his parents.

Follows the story of six young individuals who work hard to achieve their dreams and also dream of loving someone special and being loved as well. Amora, Bento and Fabio were raised at an orphanage at Capo Verde by Gilson and his wife, Selma. They each took their own path in life when Amora was adopted by actress Barbara Ellen, Fabio with a broke family in the countryside and Bento grew up to become a florist in a cooperative with Gilson, Selma and Giane, a childhood friend Who secretly has a crush on him. Amora becomes a famous model and media personality and socialite Who is brattish and vain, and Malú, her adoptive sister is a responsible, simple and down to earth University student who is unloved by Barbara Ellen who considers her a mistake.

Amor Eterno Amor is a Brazilian telenovela produced by Rede Globo and exhibited in the schedule of 18 hours. Written by Elizabeth Jhin and directed by Roberta Richards, Fábio Strazzer, Luciana Oliveira Paulo Ghelli, Pedro Vasconcelos and Rogério Gomes, it was released on March 5, 2012, ending on September, 7 of the same year, replacing A Vida da Gente.

In the imaginary king of Avilan, the bastard prince Jean Pierre leads a popular group against councilors who will invade Rainha Valentine's palace and take away the power.

An inheritance of millions brings the fun-loving Charlô (Irene Raveche) and her bad-tempered cousin Otávio (Tony Ramos) closer than they ever expected. The inheritance, which includes a mansion and a chain of clothing stores, stipulates that the assets remain in the family. And since no one is willing to give up their part they decide to share the mansion and the business, despite the mortal hatred they harbor for each other. Charlô’s adopted son Felipe (Edson Celulari) also becomes caught up in the situation. However, he turns against his mother and becomes Otávio’s right-hand man at the company.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.

Amidst romances, missed connections, family crises, and situations that feel all too familiar, "Comédias da Vida Privada" transforms the everyday lives of the Brazilian middle class into stories brimming with humor, wit, and relatability.

Arriving in Lisbon from London, Basílio falls in love with his cousin Luísa, but he must go to Brazil, promising he will eventually marry her. As time goes by, he sends her a letter ending the relationship and she marries Jorge, an engineer. One of Jorge's rich aunts dies, leaving him a small fortune and her former maid Juliana. Juliana gets hold of love letters between Luísa and Basílio and starts to blackmail her employer.

Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.

A "normal" couple are living a "normal" life together, but they have many complaints about themselves and each other.