Eugénia Bettencourt

In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.

Lena disappears mysteriously during the winter of 1976. This is the last stop on a journey that begins in colonial Mozambique on new year's eve at 1957 gives way to 1958. Ningo, a black boy brought up by Lena's parents, and her childhood friend, comes to Lisbon to help find her, at the request of Lena's mother. Using the letters that Lena has left behind as a testament to her life, in wich she has rebelled against the challenged the powers that be, Ningo discovers the identity of her kidnapper - Jorge Matos - a former secret policeman who has followed her from Lourenço Marques, motivated by morbid desire. Lena's kidnapper dies from two inexplicable snake bites to the neck, in accordance with a legend and ritual that had been part of Lena and Ningo's childhood.

In an isolated village of the Alentejo region, a conflict arises. José Vitorino, one of the landowners of the region, rich in prehistoric monuments, wants to build a luxurious solarium in lands filled with ancient rocks, places of devotion and sacred rituals. Indifferent to the people’s protest, who believe in the magical powers of the stones and that the region’s drought is due to the rocks’ destruction, José Vitorino hires an architect to plan his new house. On christmas eve, in the middle of the winter solstice, a strange ceremony around a dolmen, once an altar for bloody sacrifices in more remote times, releases a harmful spell. A race against time to reverse the faulty charm begins.

In the summer of 1870, Raquel, who owns a farm, and lives secluded in her mansion with an old butler and a handful of servants, feels proud when an odd acquaintance comes by. Adriana and her daughter-in-law, Ermesinda, a very young girl, just happen to be visiting - the second time in 15 years for Adriana, and the first time for the teenager Ermesinda. The meeting seems to be pleasant, and yet, for reasons untold, there is coldness and reserve between Adriana and Raquel. Their ambiguous relationship will be revealed, when by accident old wounds are reopened.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

Irene is an agent for an insurance company. She is given the job of investigating the disappearance of an elderly librarian in a provincial town. During her investigations she meets a history teacher - Ricardo - who knew the librarian and is interested in local legends. Irene happens to hear about a very old medieval castle which, according to legend, has a secret entrance that opens mysteriously on Christmas night as the clock strikes twelve.

In the time of King Leonardo, a war and the plague that accompanied it depopulated Traslândia. Ignoring these tragic events, Queen Isménia, Princess Camila and lady-in-waiting Narcisa, coming from a distant kingdom, arrive in Traslândia, when the war approaches the end.

Maria, a blind girl apparently raped by her stepfather, is held in an isolated and dilapidated hospice, desperately awaiting a miracle by Our Lady of Fátima. Turned over by Angela, her aunt, into the care of Dr. Firmino, an imposing doctor, she will suffer moments of despair, grace, and fear, among beliefs, phantoms, and revelations.

Laços de Sangue is a Portuguese telenovela which broadcast on SIC from September 2010 to October 2011. It is a co-production between SIC and Brazilian Rede Globo. The show also broadcast in several Latin American countries, including Uruguay, Brazil, Bolivia, Ecuador, Paraguay, Peru, Dominican Republic, Costa Rica, and Nicaragua. It won the 2011 Emmy for Best Telenovela.

An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

The soap opera tells the story of two families: Cardoso and Guimarães whose bosses are, one of them, bank manager and the other owner of a textile factory, linked to the world of fashion.