Robert Gerringer

Bir sokaktaki bir evde küçük bir kıza alışılmadık şeyler olur. Son çare olarak onu kurtarması için bir adam çağrılır. Bu adam şeytan çıkarmaktadır.Washington D.C.deki bir kadın oyuncu, 12 yaşındaki kızının davranışlarında ve görünüşünde dramatik ve tehlikeli değişiklikler fark eder. Bu sırada Georgetown Üniversitesi'nde genç bir rahip, annesinin ölümcül hastalığı ile uğraşırken inancından şüphe duymaya başlamıştır.

2. Dünya Savaşı sonrası ABD'nde Marksist bir yahudi olan Katie Morosky (Barbra Streisand), bir radyo istasyonunun yanısıra değişik birkaç işte birden çalışarak yaşamını sürdürürken bir yandan da politik inançları doğrultusunda üniversitede ve sokakta aktif eylemlere katılmaktadır. 1930'ların başında okulda tanıştığı deniz subayı Hubbell Gardiner'le (Robert Redford) yıllar sonra tekrar karşılaştıklarında ilk aşklarının canlandığını farkederek birlikte yaşamaya başlarlar. Hubbell, Hollywood için çalışan ve McCarthyciliğin etkisiyle kara listeye alınan bir senaristtir. Olayların gelişimi iki sevgilinin duygu yüklü yollarını ayıracaktır; üstelik Katie hamiledir.

As a young girl, Alison Parker attempted suicide after being traumatized by her father's sexual exploits. Now an elite fashion model, she moves to a Brooklyn Heights apartment building where she encounters a number of bizarre, eccentric tenants and attempts to uncover the building's sinister secret.

Granny Weatherall (Geraldine Fitzgerald) is a spunky old lady of eighty who bosses around her doctor and her children. She seems so strong and in control, and yet she has never had the upper hand in her destiny. One morning, a flood of long-forgotten memories bring her to the realization that of all her accomplishments, she cannot console herself for the shame-filled day she was left standing at the alter. Still, her indomitable will to live and act independently infuses the last day of her life. Adapted from the short story by acclaimed writer Katherine Anne Porter ("Ship of Fools"), The Jilting of Granny Weatherall reminds us of the plight of many women who wait for life to claim them, rather than seek life out for themselves.

A Brooklyn mobster and his gang try to rub out their rivals.

A cop quits the force after too much disappointment in the system. He becomes a bodyguard of a rich recent widow. She is on trial for her husband's murder. He decides to help her clear her name... and get over her husband.

True story of a man in search of his children after his ex-wife enters the Witness Protection Program.

A New York teacher indulges a mad high school poet who sees himself as a mythic hero.

Black Like Me is the true account of journalist and author John Griffin's experiences when he passed as a black man.

The Defenders is an American courtroom drama series . It starred E. G. Marshall and Robert Reed as father-and-son defense attorneys who specialized in legally complex cases, with defendants such as neo-Nazis, conscientious objectors, civil rights demonstrators, a schoolteacher fired for being an atheist, an author accused of pornography, and a physician charged in a mercy killing.

Mystery and suspense series based on Robert Parker's "Spenser" novels. Spenser, a private investigator living in Boston, gets involved in a new murder mystery each episode.

Texas is an American daytime soap opera which aired on NBC from August 4, 1980 until December 31, 1982. It was sponsored and produced by Procter & Gamble Productions at NBC Studios in Brooklyn, New York City. Texas is a spinoff of Another World. It was co-created by head writers John William Corrington, Joyce Hooper Corrington, and executive producer Paul Rauch of Another World. Rauch would hold the title of executive producer for the parent series and its spin-off until 1981.

Pulled from actual case histories and utilizing newsreel and documented narratives, the activities of spies from various countries are depicted as far back as the American Revolution and as recent as the Cold War.

ABC Stage 67 is the umbrella title for a series of 26 weekly shows that included dramas, variety shows, documentaries, and original musicals. It premiered on American Broadcasting Company on September 14, 1966 with Murray Schisgal's The Love Song of Barney Kempinksi, directed by Stanley Prager and starring Alan Arkin as a man enjoying the sights and sounds of New York City in his last remaining hours of bachelorhood. Arkin was nominated for an Emmy Award for Outstanding Single Performance By An Actor in a Leading Role in a Drama and the program was nominated as Outstanding Dramatic Program. Future programs included appearances by Petula Clark, Bobby Darin, Sir Laurence Olivier, Albert Finney, Peter Sellers, David Frost, and Jack Paar. ABC's effort to bring culture to the masses was a noble but unsuccessful experiment. Scheduled first against I Spy on Wednesdays and then The Dean Martin Show on Thursdays, the show consistently received low ratings. Its last production, an adaptation of Jean Cocteau's one-woman play The Human Voice starring Ingrid Bergman, aired on May 4, 1967. "Stage 67" was not actually a part of the primary ABC facilities in Los Angeles. It was produced at the old Monogram Studios backlot that was later sold to KCET.

The Edge of Night was an American television mystery series/soap opera produced by Procter & Gamble. It debuted on CBS on April 2, 1956, and ran as a live broadcast on that network until November 28, 1975; the series then moved to ABC, where it aired from December 1, 1975, until December 28, 1984. There were 7,420 episodes, with some 1,800 available for syndication.

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.