Claudia Potenza

28 yaşındaki Pietro, Roma’ya yeni gelmiştir ve burada aktör olmaya çalışırken geceleri de pastane şefi olarak çalışmaktadır. Kuzeni Maria’nın evinde misafir olarak kalmaktadır, sonunda tek başına yaşayabileceği bir ev bulur. Pietro bir süre sonra evdeki eşyaların hareket ettiğini farkeder. Çok geçmeden anlar ki bu evde tek başına yaşamamaktadır.

Profesör Laura ( Vanessa incontrada öğretim ve ilham verici genç beyinlerin işe adanmış), yaşadığı ve uluslararası sanatçı Walter Hammer (Corrado Fortuna) üretir Puglia mezrasında sınıf için bir gezi düzenliyor. istekli öğrencilerin tam otobüsün parçası Teknede adam Alessandra (Claudia Potenza), Laura eşliğinde, aralarında da Francesco (Mirko Bulunan), Flavia (Beatrice Arnera) ve Valentina (Catherine Biasiol) vardır. Bir kez Salento'nun küçük kasabaya teslim dokunun ve bildirimlerin Trills dokunun alışık çocuklar, orada o ilk fark vardır, oh hayır, hiçbir alan ! Yetişkinler bile elektronik karartma konusunda endişeleniyor.

A musical comedy, a journey filled with unexpected twists and unexpected encounters, leading a group of musicians to set out to the rhythm of their musical verses to participate in the Scanzano Jonico Song-Theatre Festival, walking across Basilicata, from the Tyrrhenian to the Ionian Sea, along the route that gives the project its name. The journey will have a therapeutic effect.

Two contrasting visions of life: on the one hand, the "rock" and adventurous of the brave Livia, cellist without maternal instinct; on the other hand, the reassuring routine of his sister Tina, shy urban vigilant with an ardent desire for maternity.

After her longtime marriage ends painfully, a lawyer finds new purpose by working at a refugee center, where she meets a child that changes her life.

An Italian style remake of "Due Date".

In their village of Puglia (Southern part of Italy on the Adriatic side) Federico and Riccardo have been best friends since childhood. Federico is a penniless playboy, while Riccardo is a young fashion designer. To pursue his dream, Riccardo trades his home for Milan. When Frederick discovers that the Puglia Region provides funding in support of business activities, he convinces Riccardo to come back and open a fashion house. But there is a problem: funding is only available to common law couples, and so Federico and Riccardo must pretend to be a gay couple, and enlist the help of the local newspaper editor, a journalist and Richard’s despotic girlfriend ..

Marco, Tato, Serena, and Leo are nine years old, and they are inseparable friends, ready to defend each other from their schoolmates’ bullying. On the evening of Marco's birthday, all four find themselves together to blow out the candles and unknowingly make the same wish: become adults. In one night's time, they find themselves magically the same age as their parents, but with the same behaviour and thoughts they have as kids.

Mamma Stella is on edge. As if she hadn't got enough trouble already with her daughter Rosa Maria, who has left her husband now Costantino, her son, has disrobed. Afraid to be the talk of the village, relegates him to a distant lighthouse belonging to the family. But Costantino does not remain far from the madding crowd for long. It does not take long indeed before all the local (or even distant) outcasts flock together there: Magnolia, a retired escort girl; Arturo, Rosa Maria's estranged husband; Valbona, a lesbian; Rosa Maria herself; and, to crown it all, two eccentric workers accompanied by a little girl... After a period of chaos, this small world gradually discovers that unity makes strength.

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.

Sauro Cantafame is “the techie”: he drives solo through a lunar southern landscape in his Ape Car, in a borderland between the real and the absurd. His mission? Implant mechanical hearts in deceased oldsters, so their families can pretend they’re still alive and cash their pension checks. He offers a ride to a fragile kid in danger, whose name says it all, as far as his prospects are concerned: Giocondo Infelice. But that gesture raises the hackles of Vito ‘a scimmia, the crime lord who has full control over the territory. Cantafame teaches the kid his strange trade in death, craft, and discontent; while Giocondo breaks out of his shell and finally finds the father he never had. But Cantafame has a few skeletons in his closet and a negative karma to fulfill, which will goad him to defy Vito in order to save his young charge.

Inspired by real life events, Madame Luna tells the story of an Eritrean refugee who is washed ashore in Libya and survives to become one of the most notorious human smugglers, with deep ties to the Italian Mafia. Now trapped in Italy and forced to experience the brutalising reality endured by the people she has exploited in the past, Madame Luna must try to find a way out before she is recognized and brought to justice. In the process she forms a powerful bond with a younger version of herself.

Lucia and Paolo are two 30-something actors who have been together for many years. Their relationship, much like their careers, has been a rollercoaster of ups and downs—lately, more downs than ups. To reignite both their love life and their shot at fame, they decide to participate in a reality show where they must each recount their love story separately. They make a pact: they will tell the truth, the whole truth, and nothing but the truth. But is their version of the truth the same? Will this experience bring them closer together or tear them apart for good?

Five women are victims of various forms of violence. In each of them the story of reality overlaps with that of imagination, thus creating a parallel world in which the desire to experience a healthy love becomes possible.

Enrico, Fabrizio, and Stefano are three lifelong friends and colleagues who share left-wing political ideals. They run a small production company, juggling commercials and wedding shoots, but hope to return to making social-themed documentaries. One day, they receive a financially attractive offer that seems to meet their expectations. Unfortunately, the deal has unethical implications.

The title translates literally as "Faceboom." An omnibus film helmed by seven top-tiered Italian directors, this comedy explores the worldwide Facebook craze of the early 21st century by recounting the adventures of numerous Europeans whose lives are altered by that social networking site.

For Valeria, her wedding day has arrived. Antonia spots the groom kissing a woman in an unmistakable loving manner and gifting her a jewel.

After being dumped that night, Giacomo goes out and meets Valentina, a half-naked woman who asks him to walk her back to her hotel. Other characters soon join them, unwittingly drawn into this strange urban odyssey filled with tragicomic situations, misunderstandings, and genuine heartache.

Judges Giovanni Falcone and Paolo Borsellino would eventually fall at the hands of Italy’s Cosa Nostra in 1992. However, before that, in 1985, they were preparing for the ‘Mafia Maxi Trial’ when a tip-off of a planned attack against their families sees them taken to an island in Sardinia to wait out the threat. This situation, somewhere between a forced vacation and witness protection, sees the men delve further into their work, the retreat allowing them to hone their case. Fate, however, is not to be escaped, and all too soon danger returns.

Short film about foster care promoted by TWINSET.

Carlo Verdone plays himself by portraying the drama and the comedy of his private life and his relationship with a loving and oppressive mother: Rome.

16 yaşındaki bir kızın kaybolmasının ardından ailesi ve arkadaşları onun son adımlarının izinden gider. Bu esnada açığa çıkan sırlar, küçük kasabanın dağılmasına sebep olur.