Carl Baierl

In spite of his blustering manner and his refusal to listen to what the patients have to say, Dr. Doppelsieder is highly respected in the Upper Bavarian town of Bayrischzell, because he (almost) always has the right remedy and effective advice ready for the sick. The only person he can't help is Pfundtner, the rich Guldenhof farmer. He wants a remedy that, after seven daughters, will finally help him and his wife to the longed-for farm inheritance.

The rich and fun-loving brewery owner Xaver Bogenrieder has died. After the funeral, the mourners come to the pub for the funeral feast. The first trouble is already inevitable: It's all about the succession to the Unterbräu and which of the dignitaries will court the beautiful widow. The master brewer, who has long been a silent admirer of the widow, doesn't like this at all. Then the shepherd gives him an idea. The Unterbräu simply has to go around as a ghost, then the false admirers will stay away. Unfortunately, the gravedigger has the same idea, without the one knowing about the other.

No matter how much the pastor rails against it, people in his village love each other left and right. No wonder there are so many illegitimate children. Now Toni, a farmer's son, wants to marry Vevi, a waitress. Toni's father secretly fears that Vevi is the fruit of his loins...

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.