Gésio Amadeu

In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

This top-seller recounts the saga of Italians who immigrated to Brazil during the XIX century, seeking their fortunes in America. The forbidden love between Giulliana and Matteo flowers in the midst of the sweeping changes ushered in by the arrival of these Europeans in Brazilian towns. This great epic has thrilled viewers in more than eighty countries.

Chiquititas is a Brazilian children's musical telenovela co-produced by SBT and Telefe and originally broadcast on SBT from July 28, 1997, to January 19, 2001. Based on the original Argentine telenovela created by Cris Morena, it was adapted for Brazilian television by Ecila Pedroso for the first season and Caio de Andrade for the subsequent seasons. Starring Flávia Monteiro, Fernanda Souza, and a large ensemble cast, the series ran for five seasons and became one of the most successful children's productions in Brazilian television history. The story follows a group of orphaned children living at the Raio de Luz orphanage, where they find love, friendship, and hope under the care of the kind-hearted Carolina "Carol" Correia. As the children face abandonment, family conflicts, first love, and personal challenges, they rely on music, imagination, and friendship to overcome adversity while dreaming of finding a family and a brighter future.

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

Albert, the Rockefeller is a Brazilian telenovela produced by TV Tupi and aired from November 4, 1968 to November 30, 1969. It was created by Cassiano Gabus Mendes, written by Bráulio Pedroso and directed by Lima Duarte and Walter Avancini.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Monarchists and republicans meet in Araruna, a small fictional town in the interior of São Paulo, in 1886. The novel portrays the love story of the beautiful and wealthy Sinhá Moça - daughter of the slave, Barão Ferreira de Araruna, and sweet and submissive Mother Candida - , with the young abolitionist lawyer Dr. Rodolfo Fontes - son of Dr. Fontes, and the housewife Inêz. Together, they face the difficulties in the campaign for the abolition of slaves.

The plot unfolds across two distinct worlds: Dr. Cristiano Navarro’s hospital and an impoverished neighborhood on the outskirts of São Paulo. While doctors at the hospital fight to save lives using state-of-the-art medical technology, young Emanuel—living in the neighborhood—demonstrates the ability to perform miraculous, extraordinary healings with just the touch of his hands. Dr. Cristiano is married to Linda, a wealthy, refined woman twenty years his junior. They long for a child but have been unable to conceive. Linda consults Dr. Paula, a renowned gynecologist, but the doctor cannot resolve their issue. Linda then decides to seek help from Emanuel, sparking a series of conflicts with her husband. However, things are far from ideal in Emanuel’s neighborhood. He possesses paranormal abilities that sometimes manifest in ways beyond his control. An enigmatic and unpredictable man, Emanuel fears his own powers.

Upon discovering that he is marked for death due to a curse placed on his ancestors, Solano, with Estela's support, embarks on a journey of revelations about his origins.

Zeca and Maria Rita experience a forbidden love in the fictional city of Paraíso, where faith and tradition clash amidst land disputes and popular beliefs.

Cassiano, an air force pilot, and Ester, a tourist guide, fall madly in love at a young age. Their love grows throughout the years until they fall victim to a treacherous plot carried out by Alberto. This unscrupulous friend, who secretly loves the young woman, creates a plan to get rid of his rival. After being assigned by Alberto to deliver diamonds in the Caribbean, Cassiano suddenly disappears and is presumed dead. While Cassiano falls prey to dangerous Dom Rafael, Alberto takes the opportunity to comfort Ester and, fulfilling his evil plan, they marry.Cassiano, who remained in captivity for years, manages to escape with the help of a fellow prisoner named Duque and, pretending to be a tourist, reaches Brazil. Now he wants to square accounts with his former friend and reclaim Ester’s love.

The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Maria was born on April 21st 1960, the same date as the inauguration of Brazil's new capital, Brasília. The film shows parallels in the lives of both Maria and Brasília.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

The life and death of Colonel Orestes, a decadent coffee farmer, spanning three generations between despair, hallucinations, and the help of three different wives. The city, the synthesis of modernization, definitively buries the oligarch making buildings on the ground that had previously made the character's prestige.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. His career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. "Pitanga" deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

The waters of the Atlantic brought the slaves from Africa to Brazil, their bodies in chains but their souls inexorably tied to mother Africa. This Brazilian- made film takes us to both shores, to show how spiritual life, dance and song came with the captive people and took root in the new soil. Among the many traditions were the language and gods of Yoruba and Jejes from the Republic of Benin. When a group of freed slaves returned to Africa to rediscover their roots they were looked upon as outsiders. They became tradespeople - tailors, accountants and builders- and they actually brought Portuguese culture to Africa. Today, when Brazilians revisit Africa, they teach the Africans the culture that these descendants of slaves keep alive in Brazil. The documentary is a testimony to some of the ironies of the diaspora.

Carolina gathers some old friends in her house on Paquetá Island, in Rio de Janeiro. She will find, among them, the boyfriend she had during her childhood and with whom she had exchanged vows of eternal love.