Luminița Erga

Based on the 1933 homonymous play by Tudor Mușatescu. An interwar satire, the film follows Decebal Necșulescu, son of Spirache Necșulescu from “Titanic Vals”, as he relentlessly pursues political office in Bucharest.

Pasadia, Pantazi, and Cara team up with the ruffian Pîrgu, because “everything is vanity”. For these princes of lost nights, the only sacred thing is friendship, and “the mutt” is the best guide on a journey through the night.

After a year away for work, a husband spends his first night back home trying to reconnect with a wife who seems more distant than he remembered.

Serinin 4.'sü ve sonuncusu olan filmde; öldü zannedilen Radu, kötü bir şekilde yanmıştır ve bir mahzene sığınmıştır. Bir araba kazası yaşanır ve sağ kalan tek kişi Michelle'dir. Bunu farkeden ve Michelle'in güneş ışığına tepkisini gören Ana, onu eski profesörü Dr. Nicolescu'ya götürür. Dr. Nicolescu'nun kendisi de bir vampirdir ancak kan ihtiyacı dışında, vampir zayıflıklarına karşı bağışıklık kazanmak için bilimi kullanmaktadır. Michelle uyandığında, Dr. Nicolescu onu vampirizminden kurtarmaya söz verir. Radu ise ailesine ait olan kan taşı yani "Bloodstone"u geri alma ve intikam arzusuyla Michelle'i bulmaya kararlıdır.

The '60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.

Klaus Bernath, a wealthy German citizen, decides, after many years, to visit his birthplace, of the Banat Swabian village Lindenfeld, in Romania. Since the village has been deserted for many decades, his son and his biographer decide to reconstruct the whole space from scratch and present it as a populated place.

Genç bir kadın olan Emi, bir okulda öğretmenlik yapar. Onun hayatı, kişisel görüntülerinin yer aldığı bir kasetin internete yayılmasıyla bambaşka bir hal alır. Öğrencilerin aileleri, Emi’nin okuldan ayrılmasını ister. Kendisinin görevden alınmasını isteyen ebeveynlerle buluşmaya zorlanan Emi, onların baskılarına teslim olmamaya karar verir.