Petra Molnárová

Three forty-year-olds friends, hockey player and football players, decide to end their sports careers at the same time. All three find themselves at the beginning of a new life and must choose the path they will take.

The story of the film The Candidate takes place during two months of campaigning before a non-specific presidential election in one specific country. The author of the diary entries has no idea for whom he is recording the eavesdropping and enthusiasm for an interesting job in which he follows a bishop, a crazy owner of an advertising agency and a bland presidential candidate with the eloquent name Peter Potôň and an even sweeter-sounding family history, soon give way to disgust and confusion. His diary becomes a file with transcripts of conversations, information about characters and characters, emails, scraps from psychiatric medical records and pictures, which he scribbles at first out of boredom, later because words and rational explanations are no longer enough. The candidate is a political farce, a sad-funny depiction of what happened, is happening, and could very easily happen in this small country.

Three soldiers desert and take refuge in an ancient, crumbling castle where three veiled maidens welcome them with a sumptuous feast, on the sole condition that they neither lift a veil nor lay a hand on their hosts during the night. Only one, Jakub, keeps his vow and is rewarded by a freed princess and a magical token that grants him three extra lives.

During his routine work, Martin Urmann, employee of an advertising agency, discovers a series of cryptic messages inscribed by the architect into his structures, and sets out to decipher them. His way is lined with mysterious murders which are obviously connected with his search. The fascinating power of the world into which he is gradually descending makes it impossible for him to give up his intention. He has to reach the end, where he anticipates a revelation which will totally change his entrenched view of the world.