Felicia Montealegre

The mental condition of psychiatrist's wife Lorna Baylor begins to deteriorate as an anonymous delivery of flowers arrives at her home, awakening her phobia of white carnations. This is the 1950 version. You can tell because it previews the next weeks movie, which was The Wisdom Tooth.

The mental condition of psychiatrist's wife Lorna Baylor begins to deteriorate as an anonymous delivery of flowers arrives at her home, awakening her phobia of white carnations.

An enlightening, complex look at one of the greatest figures in 20th century classical music whose passion and creativity guided him well beyond the concert hall.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.