Marcelo Córdoba

Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

Mar de Amor is a Spanish-language telenovela produced by Nathalie Lartilleux with protagonists Zuria Vega, Mario Cimarro and Mariana Seoane and antagonists Ninel Conde, Marcelo Córdoba and Manuel Landeta. This is a remake of the 1978 Venezuelan telenovela María del Mar.

A handsome man, unjustly accused, transforms into a woman named Eva to win over Helena—the love of his life—and unmask the true culprits behind a financial fraud and the theft of Helena's project.

A man's budding romance with a beautiful woman is sabotaged by his evil twin, but they get another chance at love when they're reunited years later.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.

La Fuerza del Destino is a Mexican telenovela produced by Rosy Ocampo for Televisa. Sandra Echeverria and David Zepeda star as the main protagonists, while Laisha Wilkins, Gabriel Soto, Rosa Maria Bianchi, and Juan Ferrara star as the main antagonists. La Fuerza del Destino won 5 awards in Premios TVyNovelas: Best first actress, best original story or adaptation, best male antagonist, best lead actress, and best telenovela of the year. The theme song is sung by Marc Anthony and Sandra Echeverria. Portions of their performance in the recording studio are periodically shown in the closing credits. Canal de las Estrellas aired La Fuerza del Destino from March 14 to July 31, 2011 Univision had announced that La Fuerza del Destino would air on the network as part of the 2011-2012 programming schedule, and was broadcast from August 2 to December 26, 2011, with La que no podía amar replacing it in both countries. It was awarded"The Best Telenovela of 2012" by Premios TVyNovelas.

Juro que te amo is a Mexican telenovela produced by Martha Patricia López de Zatarain for Televisa in 2008, starring young actress Ana Brenda Contreras. The show is a domestic drama about a wealthy family who loses everything and finds that they were only liked for their money. It premiered on 28 July 2008 and concluded on 6 February 2009. Re-make to the novela Los Parientes Pobres

Pasión is the telenovela that began transmissions on September 17, 2007, in Mexico; Canal de las Estrellas. The novela is a production of Carla Estrada and the stars are Susana González, Fernando Colunga, Sebastián Rulli, and Daniela Castro.

María José is a simple small-town woman eagerly awaiting her wedding day to Alejandro Lombardo, unaware that her “Alejandro” is actually Bruno—the half-brother of the real Alejandro—who has inherited a vast fortune.

Fabiola's parents are killed in a plane crash leaving her and her younger sister, Andrea, orphans. Their parents estate is divided equally among the girls. But at the reading of the will, the family is surprised to learn of the existence of a life insurance policy for one million dollars. They're even more surprised when they learn who the sole beneficiary of that policy is. While the family squabbles over what to do about the policy, Fabiola decides she's going to take over the administration of her family's business: a successful garage, where she finds more than she bargained for when she meets a mechanic named Ramon who just happens to be the son of her long-time nanny, Juana. It is based on the Venezuelan telenovela written by Doris Seguí, "Tomasa Tequiero" produced in 2009.

La Reina Soy Yo is a Mexican telenovela produced by Sony Pictures Television for Televisa. It is an adaptation of the Colombian telenovela La reina del flow, created by Claudia Sánchez and Said Chamie. The series premiered on Univision in the United States on May 13, 2019, and later aired on Las Estrellas in Mexico from August 26 to December 17, 2019. The story follows Yamelí Montoya, a gifted songwriter who is betrayed, wrongfully imprisoned, and presumed dead. After receiving a new identity through a witness protection program, she returns as music producer Lari Andrade to seek justice against those who destroyed her life.

Alberto falls in love with the daughter of one of the men who wants to close the printing press that his family has run for generations. Although his love is immense, saving the business

La malquerida is a Mexican telenovela produced by José Alberto Castro for Televisa. It is an adaptation of the play "La malquerida", written by Spanish playwright Jacinto Benavente. Victoria Ruffo and Christian Meier will star as the adult protagonist, Ariadne Díaz and Mane de la Parra will star as the young protagonists, while Brandon Peniche will star as the main antagonist.

A biography of Silvia Pinal, Mexican actress, singer, and producer, showing the professional as well as personal parts of her life. Partial narration by the legend herself.

Heriberto (Matías Santoiani) dreams of becoming an actor. He wins a contest to work on a film and leaves his small town for Buenos Aires. There he meets Cynthia (Claudia Albertario), the other winner, who will be his co-star in the film, and with whom he falls in love. But the contest turns out to be a scam for pornographic purposes. This failure depresses Cynthia, and Heriberto, still in love with her, tries to help her, but she leaves him and takes his savings.

A young doctor recently received must face the difficulties of his profession in a public hospital, proposing to make true the axiom learned in the faculty "you can not always be cured, but you must know how to care."