Simon Schama

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Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.

Historian Simon Schama recounts the story of eight moments of high drama in the making of eight artistic masterpieces.

Simon Schama explores the life and times of William Shakespeare to shed a new and fascinating light on some of the greatest plays ever written. He asks the question: "What came first, Englishness, or Shakespeare's idea of it?" and produces a persuasive argument in favour of the latter.

To his guests – artists, scientists, writers, philosophers and musicians – Wim Kayzer in Of Beauty and Consolation asks the philosophical question: What makes this life worth living?

The story of art from the dawn of human history to the present day—for the first time on a global scale. Inspired by Civilisation, Kenneth Clark’s acclaimed landmark 1969 series about Western art, this series broadens the canvas to reveal the role art and the creative imagination have played across multiple cultures and civilizations.

From popular revolt to the obsession with the self, even to modern nationalism, Simon Schama explores the enduring and powerful legacy the Romantics have left on our modern world.

Art and culture define us - but in an age of change, who are we now? In divided times, Simon Schama asks whether art, music and words can be the threads that bind us together.

Simon Schama celebrates the life and work of one of Britain's greatest love poets, John Donne.

Simon Schama explores the story of the Jewish experience from ancient times to the present day.

In his most personal project to date, Simon Schama looks back at the dramatic history that has played out in his lifetime. Best known for writing history, he has lived a fair bit of it too. Born in 1945, on the night of the bombing of Dresden, Simon grew up as part of a generation determined to rebuild the world from the ashes of war. In this film, he reveals the stories of artists and writers who have been at the forefront of the fight for truth and democracy, often at great personal cost.

Best-selling author Sebastian Faulks presents a major four part series on the brilliance of the British novel and its characters.

Simon Schama explores the history of British portraiture, revealing the stories behind the most compelling images in British art and examining the ways portraiture is used to make a statement.

The American Future: A History is a four-part documentary series written and presented by Simon Schama which aired on BBC Two in the UK during October 2008, in the run up to the 2008 US presidential election. The first episode was broadcast on BBC Two at 9:00pm on 10 October 2008, and it was shown over four consecutive Fridays. The series saw Schama travelling through the United States as he investigated the conflicts from its past in order to understand the country's contemporary political situation. Schama presents and discusses both presidential candidates, Democratic Barack Obama and Republican John McCain from a historical point of view, emphasizing strongly the former. The documentary takes viewer to an epic journey through the history of the modern United States, but it also why Schama personally believed Barack Obama would be the ideal choice as the next president of the United States.

JMW Turner's work is examined in a new light. Beyond his sublime landscapes, Turner painted machines, science, technology and industry. His life spanned the unfolding Industrial Revolution. This programme argues that Turner created a whole new kind of art, by examining nine key works in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.

In the most personal and unflinching film of his career, historian Simon Schama confronts the enormity of the Holocaust and the catastrophe experienced by its victims. In a journey that ends with his first visit to Auschwitz, Simon travels across the Continent to explore how the Holocaust was far more than a Nazi obsession that played out in gas chambers, but a European-wide crime of complicity. From bullets in the Lithuanian lands of his ancestors to bureaucracy in the Netherlands, he reveals how deep-rooted prejudice was weaponised to turn people against their Jewish neighbours. As a moving interview with a survivor reveals, the story of how ‘evil comes step by step’ remains powerfully relevant today.

In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee Of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Zizek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic.

This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.

Simon Schama presents a drama-documentary that charts the extraordinary journey of the American slaves who fought for the British side in the American War of Independence and were then led by a young Englishman to Africa. There, they struggled to establish a colony in Sierra Leone, where they could be free.

Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.

Inspired by a book by acclaimed historian Simon Schama, Murder at Harvard uses a combination of film-noir drama and present-day documentary footage to tell the true tale of one of the most notorious American crimes of the 19th century. Grappling with frustrating gaps in the historical record, Schama assumes the role of a time-travelling detective who takes an unusual step for an historian and imagines how certain scenes and encounters might have played out. "Maybe I thought what I was after was not a literal documentary truth," Schama tells us, "but a poetic truth — an imaginative truth — and for that I was going to have to become my own Resurrection man. I was going to have to make these characters live again."