María Canale

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

An Argentine scholar living abroad returns home to meet an old school professor, his role model in life. But the meeting will take an unexpected turn.

After a brutal loss, Sofia comes out of her thoughts to face an unbearable pain.

In 1810 in Buenos Aires, the revolution is at its height, fuelled by Rousseau's ideas. Meanwhile, thousands of miles away, in the south of the country, a rain of ash disrupts a French expedition and a young woman, Marie Archange is left behind. All alone, in her head she hears Rousseau's minuet in G Minor, which gives her the strength she needs to continue on her way.

Julia discovers that she is pregnant with her ex-husband, but he does not know it. He is thirty years old and must decide what to do with the baby on the way. At night, it is not easy for him to sleep, and when he does he has distressing dreams. He dreams that he drowns, that he sinks deeper and deeper and can not get out of the water.

A romantic comedy in a romantic comedy about love and how to build it. He is romantic, shy. She is realistic, energetic. After twists and turns, together they go home. While those credits are shown, he and she, 5 years later, end up watching the movie. They both met during the filming of a movie he directed. Currently, they are a stable couple, but going through a crisis.

Sebastian is unemployed, finding pleasure only in his old Peugeot. He got married to his girlfriend Jazmin and having no income, he starts a job of a private ride service. One day, a regular customer, Jalil, an old Arab man suggests a long distance drive. During the ride from Buenos Aires of Argentina to La Paz of Bolivia, the two are in conflict with each other constantly. With a series of unexpected accidents, the journey brings a small but important change to both of their lives.

Marina, Sofía ve Violeta, kendilerini büyüten büyükannelerini yeni kaybetmiş üç genç kız kardeştir. Her biri, sayısız anı, sorumluluk ve gerilimin yaşadığı bir evde, yası kendi yöntemleriyle yaşayacaktır.

As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.

No Me Ama (She Doesn’t Love Me) is about a couple traveling through Uruguay. Besides a beautiful backdrop of scenery, this film features an interesting monologue about a guy and his feelings for the girl he is backpacking with. He longs to hear words she hasn’t told him, but is it about the words left unsaid, or the expression of love through little gestures?

Autumn, 1984. Valeria is ten years old; she and her brother live the constant distress of their father's violence and their mother's submission and complicity. Valeria is forced to hide what's going on. On her birthday, her best friend reveals a secret: at the sound of music boxes, the saddest truths can be told, as they hurt less. Valeria has a plan now. Will it work?

Leo is going through a rough patch. His job as a college professor doesn’t provide him with enough money, and to make matters worse, his partner leaves him. He will look for palliatives during one Buenos Aires evening filled with excess in which the threat of self-destruction is always lurking.

An argentinian couple in a party at the countryside find that their friends are being killed. However, it's hard to find the killer, because they are completely stoned and don't know what is real or not.

An argentine woman and an American man have a cultural disagreement about intimacy and how romance is conceived.

Lola, a 30-year-old failed kleptomaniac with a bad temper receives a phone call from Mar del Plata: her father, whom she thought had been dead for years, has just died, and she must travel in order to check on some things related to the inheritance. Along with Teo, her former boyfriend, and his sister Rita, she sets off in Teo's school van. In Mar del Plata, she meets Natalio, her father's partner, and everyone must now travel to Bariloche in order to spread the ashes of the deceased.

Remo Venica and Irmina Kleiner, Agrarian League activists in northern Argentina in the 1970s, were forced into exile in the mountains for four years. They gave birth to their first daughter and learned to live off what the mountains had to offer. Today, having survived military persecution, they have a sustainable biodynamic farm and are committed to repopulating the countryside. Their struggle continues.

Baraja feels like a useless and tired survivor. Political and social disappointment, long reclusive hours and dejection bring an omnipresent violence in a man that doesn't believe in anything or anyone anymore and fights as much against everybody as he does against himself.

When people are unexpectedly locked in, their 'monsters' emerge from the depths of themselves, without control or logic.