Mei Shigenobu

Filmler2

• Film6.3

  Belgesel

  A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

  L'anabase de May et Fusako Shigenobu, Masao Adachi et 27 années sans images

  The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images

  2011 · 9 votes

• Film6.7

  Belgesel

  Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?

  Children of the Revolution

  2011 · 10 votes