Nadia Alami

This film, the first in what has become a semi-autobiographical trilogy for Smihi, follows the everyday experiences of Mohamed-Larbi Salmi against the changing Moroccan society. In 1950s Tangier, Larbi Salmi is a young, timid, pre-teen, boy, trying to make sense of the gentle religious upbringing of his father, the secular education offered him in French school, and his budding desires for the forbidden pleasures of the cinema and the women he meets through it.

The daughter of an Englishman and an Andalusian woman, Juanita rejects the historical changes taking place in Tangier.She lives alone in this "Paradise lost", surrounded by her sister Elena; Esther, her close friend who dedicates her entire life to an impossible love affair with a Moroccan; and Hamruch the housemaid, who disappears one day without saying a word. The Spanish Civil War, WWII with the arrival of refugees from Europe, and the Moroccan independence finally returns the city to its Arab origins. Juanita's tragedy lies in not realizing that her world is destined to disappear by the destructive and rejuvenating force of History.

Five women from the great city of CASABLANCA, a source of economic, social, and civilizational progress. There are five divorced women from different social strata, and are professionally active in various fields. These women try to rebuild their lives, in an unequal society, dominated by prejudices against divorced women, and ignorance of the rules of law governing the status of women.

With the help of her accomplice and little brother Sirieix, she makes a report on palliative home care, to enlighten patients and companions about this comfort and openness for the last trip, the final destination.

A young architect who lives in Paris, returns to his hometown Fès in Morocco to find answers to his painful childhood. His old Sufi master Ba Jelloul and his friend Aziz try to help him reconstruct himself.