Keiko Yukishiro

Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.

Following a yearlong attendance upon his shogun in Edo, samurai Hikokuro makes a long-awaited return to his home and doting wife, Dane. Initially greeted by the effusive welcome of his family, spiteful whispers also reach his ear about an adulterous affair carried on, in his long absence, between his wife and a famous drummer. With Hikokuro’s honor imperiled by rumor, his family insists on a formal investigation into the veracity of the gossip. Through the combined testimony of many witnesses, a tale unwinds around the visits of a traveling musician hired to tutor the family heir, the spurned attentions of the man who started the rumor, and the ultimate truth behind the accusations. The conclusion of events prove as much an indictment of bushidō as it is of the reluctant parties involved. Adapted from a 1706 play by Chikamatsu Monzaemon and based on a true case.

It's an extravaganza of entertainment as famous magistrate in disguise, Toyama no Kinshiro attempts to confront the elusive thief known as the "Long-Sleeve Burglar". Played to the hilt by Misora Hibari in a delightful performance highlighted by singing, dancing, and swordplay with a unique story within a story twist that starts to unfold in the city jail as a playwright is brought into custody and meets the famed Long-Sleeve Burglar himself. Misora Hibari is totally captivating in this gender bending role as the famed thief whose expoits can only be stopped by the great Kin-san himself!

Two thrill seeking young lords sneak out of their castles and travel under the disguise of townsmen.

Based on the original story by Seishi Yokomizo, House of Spider Webs is a gorgeous historical drama thriller starring Kinnosuke Nakamura and directed by Tadashi Sawashima.

Bright samurai movie innovatively adapted from a classic story. A traveling masterless samurai is asked by a daughter of an established samurai family to pretend they are a married couple, and gets involved in the troubles of the samurai clan.

On the way back to his childhood home, a septuagenarian man recalls his childhood and adolescence, in particular his love for a young woman.

Two guardians of the Nijo Castle, Shioya and Kamazawa, discover a map leading to a secret passage to Edo Castle. Instead of reporting their find to local authorities, they decide to blackmail the lords who created the forbidden passage. To prove their crime, Magistrate Toyama Kinshiro launches a private undercover investigation.

Young geisha Kohana scrambles to realize her dream of bringing back her grandmother’s restaurant business.

Kyoshiro rescues Shizu who was being abused by her husband, even since she had been violated by the man posing as Ieyoshi. He then learned that Ieyoshi had been acting oddly ever since returning from Kyoto six months ago. Sir Fumiya's investigation of the O'oku (Shogun's harem in Edo Castle) uncovered the plot and reported that Sir Higo-no-Kami had been controlling the fraud. That's when Kyoshiro heads to Kyoto to find clues...

During the tumultuous end of the Tokugawa shogunate, the Tengu Party rose in rebellion in Mito. Friends from their hometown, Tanaka Genzo and Fujita Koshiro, each walked different paths. Koshiro, who upheld the philosophy of "Revere the Emperor, Expel the Barbarians," became a leader of the Tengu Party, taking refuge in the mountains. Genzo, however, did not have any particular ideological stance.

One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

While on the road, famed Yakuza Boss Jirocho is falsely accused of starting a peasant's uprising and chased by the law. Meanwhile, one of his henchmen in an attempt to raise money for the Boss gambles away not only all their funds, but their clothing as well. Jirocho, famed for his honesty and integrity must take on the challenge of rival gangs while trying to elude the government's officials at the same time. Things really heat up when the most famous of all Yakuza Bosses, Chuji of Kunisada gets involved. Will he team up with his old friend or is gang warfare about to erupt?

Bloody Account of Jirocho: Duel at Fujimi Pass

A dancer girl in a touring company met a high school boy in a port town. The story is about their first love that is very touching and sorrowful. An adaptation of the Kawabata Yasunari short story.

Four thousand gold coins were stolen from the vault of Nijo Castle in Kyoto, which were collected as a tax to the shogun. The guard of Nijo castle Asaka Keinosuke, disguised as a komuso monk, proceeds to investigate the theft, traces of thieves lead to Edo, where Asaka goes.

Early film by Eiichi Kudô.

Featuring some of the finest swordsmen ever to grace the silver screen, this Toei classic tells the story of a battle between the evil sword style called ”Otonashi” (The Silent Form) and the proper way of swordsmanship as promoted by such historical stalwarts as Shimada Toranosuke, and the mysterious Honda Sakon, who face off against a group masquerading as the lord of Mito and his traveling bodyguards Suke-san and Kaku-san. The plot thickens as their leader unveils his secret plan to disrupt the stability of the nation. It is all in the name of swordsmanship, and as the title implies there are no stronger swordsmen!

On New Year's Day 1716, Munenaga of Owari and Yoshinao of Kii were both named as candidates for the title of 8th Shogun. The wise and just Munenaga is plunged into a dispute with Tokugawa Yoshinao that will lead to one of them ascending the throne. This is an exciting and informative film that brings the brilliant history of Japan to the surface in a new light.

Chiba Sōsaku, whose childhood name was Otome, was raised by his father Yukiuemon, the successor of the Hokushin Ittō-ryū style, and his wet nurse in Rikuzen Onikobe, where he early on earned the nickname "Little Tengu of Chiba." One day, Otome heard a rumor that Arao Miyauchi, who once was an internal student at the Chiba family but now ran his own dojo in Onikobe, was spreading false rumors out of resentment for not inheriting the Chiba house—a situation that led to his mother's suicide and his father's abandonment of the sword to become a doctor. Enraged, Otome stormed into the Arao dojo only to be captured and publicly humiliated at Onikobe Pass. However, in his heart, Miyauchi hoped to marry his daughter Nanae to Otome and have him inherit the Chiba family.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...

The 4th NHK Asadora. Starring Michiko Hayashi as a woman born in poverty who lives a brave life. She lost her husband in war and now must take care of their 5-year-old child alone. Adapted from the novel of the same name by Fumiko Hayashi.