Pedro Mira

31 Dias (31 Days) is the story of Eva (Irán Castillo), a young and beautiful psychologist and author of a series of self-help books about modern women and their love relationships. For her next bestseller she has decided to prove her most daring theory: After the first 30 days together love ends, so the only way to have a meaningful relationship in this new millennium is when the couple part ways after the first month. At a magazine's photo session Eva meets Adam (Lorenzo Balducci), an attractive Italian photographer, and she decides he's perfect as her study subject. She will live a very intense relationship with Adam during 31 days, in order to prove her theory is right. However, what she is not aware of is that Adam is using her own advice from her books in order to make her fall in love with him and teach her a lesson. What neither of them suspects is that they'll come to learn that love has no rules.

A woman is determined to stop the wedding of her best friend, since she has been secretly in love with him.

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

Gloria never imagined that an audition for the music producer Sergio Andrade was going to change her life so drastically. King Midas not only brought her to stardom, but also to a dramatic story of love, heartbreak and betrayal. Based on the life story of pop/rock singer Gloria Trevi.

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

Gerardo is a young man who lost everybody he loved in life. When he starts a relationship with Mar, he thinks all of the emptiness has disappeared. Now, Mar is gone. And he looks to reconnect with the people once gone from his life to help him find Mar. In the way, he begins to find himself and close the circle that was previously open.

Every morning at school, when girls and boys stand in their lines, Sam, an alien boy, is confronted with his situation: he doesn't fit into this society where everything has to be classified. However, thanks to a teacher he will find his place in the world.

La mujer de Judas is a Mexican telenovela produced by Maricarmen Marcos for Azteca. It is based on Venezuelan novela of the same name. It stars Anette Michel, Victor Gonzalez, and Andrea Marti. It replaced Cielo Rojo on January 13, 2012. Adapted by Paz Aguirre and Gabriel Santos, this adaptation is supervised by the original writer, Martin Hahn.