Juris Bartkevičs

Doğu Avrupa'nın en ücra köşesinde kaybolan Sam, biyolojik babası Lagzdins'i arayan bir yabancıdır; burada küçük bir trafik kazası, bir domuz çiftçisinin kızıyla şans eseri karşılaşmasına neden olur, bu kız onu yakalar ve çiftlikte zorunlu işçi yapar.

Eski bir New York Times muhabiri olan David ve garip yeni komşusu Robert kazara bisikletiyle bir kıza çarptığında kabus gibi bir akşam yaşanır. Vızıldayan ve kafası karışan David, Robert'ın kariyerini korumak için onu olay yerinden kaçmaya ve kızı ölüme terk etmeye ikna etmesine izin verir. Robert pişmanlık duymuyor ve dostluk adına sırrı korumak için ağza alınmayacak şeyler yapıyor. Artık polis vur-kaç katilinin peşine düştüğü için, David'in yerel gazetesi onu ölen kızın kız kardeşi Vanessa ile tanıştığı hikayeyi aktarması için gönderdiğinde işler kontrolden çıkmaya başlar. Koşullara ve kız kardeşinin katilini bulma konusundaki derin arzusuna rağmen, ikisi hemen romantik bir bağ kurar, bu da David'i şaşırtır ve peşini bırakmaz, Robert'ı yeni arkadaşını kendine saklamak için acımasız adımlar atmaya iter.

A granddaughter spends a week with her grandparents and falls in love with their kittens. However, when her grandfather, without attempting to discuss or understand, prepares to drown the kittens, the girl rebels against the incomprehensible morality and power of adults.

Young Juris is being raised by his mother alone in a rural village. She is in love with Jānis, a collective farm driver, and the two plan to get married. As the wedding approaches, Juris prepares a special secret gift for them—a “sun candle” plant he is growing in a forest clearing.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?

The creative documentary tells a story about the piano player and musician Oscar Strock who was a well known tango music composer in the 1920s Europe. Nobody knew him – only his music was well known. The life of Strock is like a side-show of everlasting debts, long voyages and wild and unlucky love affairs that find their best interpretation through his tango music. The piano player is a man, who barely arranges his life according to the political and economic circumstances in the world. To earn money, he plays for pubs and cinema theatres in Riga, Berlin and Paris, and for lovers, he writes the most romantic tango music.

Based on true events that took place in the vicinity of Līvāni in 1945 after Soviet re-occupation. Catholic priest Antons Juhņevičs, serving in the Vanagi parish, hid local men on church premises so they could escape conscription into the Red Army. Finding himself in conflict with the ruling power due to his convictions, he was forced to take a radical step.

After successfully operating on a forester’s son, a doctor is invited to the family’s forest home for a promised hunting trip. When the boar intended for the hunt must be handed over to visiting forestry officials, the embarrassed forester suggests shooting wild geese instead. But the birds are more than game to his young son Ivo—they are his beloved companions, and the majestic gander he calls the king of the flock is among them.

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.

Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

In the near future of 2012, the government asks for each citizen to have 30 Lats on their credit card. Anybody not having this amount of money is deemed to be maliciously poor and arrested.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

A homage to Krišjānis Barons and his life's work – to collect and catalogue Latvian folksongs or dainas,thus creating the encyclopaedia of Latvian life, a poetic reflection of the knowledge of life accumulated over the centuries. The film is based on Krišjānis Barons' life during late 1800s and early 1900s – his childhood and youth in Latvia, studies and work in St. Petersburg and other places in Russia, his relationship with his faithful wife Dārta, and the awakening of the Latvian self-awareness.

Riga in the 30s. Wild bohemian lifestyle is the name of the game for every artist worth his salt. A young man from the countryside, poor but ambitious, arrives in the capital, where he hopes to make his mark in the artistic circles. What follows is a string of events, fraught with confusion and misunderstanding, hilarious and heart-warming at the same time.

Guttenmorgen leaves the government office to see how people live in the countryside, and on the way he gets stuck in Vienciem.

In the late 1970s – at a time when the fiercest propaganda against Western culture was being waged throughout the USSR – an ardent rock and roll fan sets up a successful and illegal underground jeans factory in a Latvian psychiatric hospital.

A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

Marta will meet a charming and rich man, but love will blind her eyes and Marta will not notice the true intentions of her new sweetheart behind her rose-colored glasses.

Ketija is a troubled orphan who wants to escape her everyday life and fulfill her dream of becoming an architect. At a party, seeing an opportunity, she tries to steal money to start a new life. Her attempt is noticed and a chase begins, which ends in an accident, and Ketija ends up in the hospital. There she is approached by one of the richest families in Latvia, who recognize her as their daughter who disappeared eight years ago.