Dana Stevens

Former 1960s flower children Steven and Elyse Keaton raise their conservative son Alex, daughters Mallory and Jennifer, and later, youngest child Andrew.

Jake and the Fatman is a television crime drama starring William Conrad as prosecutor J. L. "Fatman" McCabe and Joe Penny as investigator Jake Styles. The series ran on CBS for five seasons from 1987 to 1992. Diagnosis: Murder was a spin-off of this series.

Thirtysomething is an American television drama about a group of baby boomers in their late thirties. It was created by Marshall Herskovitz and Edward Zwick for MGM/UA Television Group and The Bedford Falls Company, and aired on ABC. It premiered in the U.S. on September 29, 1987. It lasted four seasons, with the last of its 85 episodes airing on May 28, 1991. The title of the show was designed as thirtysomething by Kathie Broyles, who combined the words of the original title, Thirty Something. In 1997, "The Go Between" and "Samurai Ad Man" were ranked #22 on TV Guide′s 100 Greatest Episodes of All Time. In 2002, Thirtysomething was ranked #19 on TV Guide′s 50 Greatest TV Shows of All Time, and in 2013 TV Guide ranked it #10 in its list of The 60 Greatest Dramas of All Time.

Dateline: November 1967. Within klicks of Danang, Vietnam, sits a U.S. Army base, bar and hospital on China Beach filled with wounded soldiers and one very lovely but damaged Army Nurse Colleen McMurphy. Many heroes, dead and alive, try to make sense of life and death in between bourbon, bullets and battles.

The evil, sinister killer of the "Nightmare On Elm Street" movies, Freddy Krueger, hosts this show, where each week, he shows us a tale of evil and death about the lives of people who live in Springwood.

Garry Shandling stars as himself, a neurotic, sardonic stand-up comedian who just happens to be aware he is a sitcom character. Garry spends just as much time interacting with the studio audience as he does the regular cast members, performing monologues and show-closing summations of the episode's events. However, everyone knows they're on TV, not just Garry; and the audience (itself a character) is often involved in the storyline.

Genç ve idealist bir doktor olan Dr. Guy Luthan (Hugh Grant), New York'ta acil serviste çalışmaktadır. Bir gece, garip semptomlarla gelen bir hasta aniden ölür. Otopsi sırasında hastanın beyninin ve omuriliğinin kayıp olduğunu fark eden Guy, bu durumun üzerine gitmeye karar verir. Ancak araştırmaları derinleştikçe, ünlü nörolog Dr. Lawrence Myrick'in (Gene Hackman) liderliğindeki bir grup doktorun, evsizler ve kayıp kişiler üzerinde yasa dışı tıbbi deneyler yaptığını keşfeder. Myrick'in ekibi, omurilik yaralanmalarını tedavi etmek için etik dışı yöntemler kullanmaktadır.

Bu sefer kahramanlarımız gelecekten gelen kopyaları tarafından öldürülürler ve yerlerine kötü kopyaları geçer.Kahramanlarımız cehennemde hem şeytanla köşe kapmaca oynayacaklar hemde geri dönüp kötü kopyalarıyla mücadele edip sevgililerini kurtarmaya çalışacaklardır..

Violet tecavüze uğrar ve ikiz çocukları olur. Bu çocukları yıllarca herkesten saklar. Hastalanır, vücudunun bir tarafı felç olduğu halde yine de çocuklarını kimseye göstermez. İkizlerin biri on yaşında ölünce Nell'i (Jodie Foster) ormanda saklar. Ancak Violet de ölünce Nell'i bulurlar. Doktorlar onu akıl hastanesine kapatmak isterler çünkü Nell dünyayı bilmemekte ve kendine has bir dille konuşmaktadır. Konuştuğu dili kimse anlamaz. İki doktor da mahkemeden üç ay isterler. Üç ay zarfında Nell'i insanlara alıştıramazlarsa hakimin kararına uyacaklardır.

Sahte isimlerle tanıştığı orta yaşlı kadınları dolandıran Larry Hogan, kurbanlarının birleşip ipuçlarını birleştirmesiyle çöküşe sürüklenir.

HOLLYWOOD DOES ABORTION reveals how, from the 1970s to the present, film and television have too often relied on dangerously misleading distortions about abortions and the people who seek them. This provocative and lively feature length documentary explores the ways in which abortion narratives onscreen and public policy both mimic and influence one another. Extensive archival imagery spans five decades of television and film, ranging from Maude and Dirty Dancing to Jane the Virgin and Juno, and creates a historical timeline to support the “story” of the film. In Hollywood Does Abortion, leading directors, writers, showrunners, and cultural critics share their personal and political reactions to these seminal depictions through the lens of today’s post-Roe world. Today, we see how a wide range of diverse Hollywood creators are racing to tell stories that push back against the seismic shift in access to abortion.