Ou Wei

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Story is about how a revolutionist, played by Cheng Pei Pei, taking on the identity of a Captain's (Ou Wei) long lost sister who is actually dead. Cheng manages to fool the Captain for a while, but little by little, the Captain catches on to her and the revolutionist's plan to stop Chinese-Japanese relations.

Hsiao-yueh and her widowed father receive a flock of genetically-improved ducks from the state agricultural council to participate in a breeding experiment.

Rare sword fighting martial arts film from Taiwan.

A film by Lee Hsing

The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.

Heavyset Master An (Got Siu-Bo) receives a message from a dying imperial messenger and finds himself to be the hunted due to the defining, powerful nature of the message. A reluctant hero and not a fighting swordsman at heart (his sword is bent and worn), he's defended by mainly a duo of females and a sneaky swordsman played by O Chun-Hung.

Wandering endlessly between pure incoherence and a tragedy rife with dramatic possibilities, Lau Kwok-Hung sets up the murder mystery of a, low and behold, killer who strikes during rainy nights.

A drama about the Musha incident

Northeastern China is infested with bandits. Hsiao Kai (Paul Chang Chung), a wandering knight, captures a white horse from thieves. His skilful handling of the horse earns his admiration of fellow traveler Chu Ching Hsu (Wong Chung Shun). They arrive at Lo Lung Kow, where the villagers hunt for a living and are constantly terrorized by bandits. Grocer Ting Tze Pao (Ngai Ping Ngo) returns from his negotiations with the bandits with bad news. They intend to collect furs from the villagers at a fixed price. Village leader Mu (Yuen Sam and his daughter Tsui Ying (Pat ting Hung) run a tavern. She wonders how the white horse belonging to a Sinkiang youth named Sha Yi Ti (Man Ling) is now in the possession of Hsiao Kai.

Oyster-gatherer Ah-lan is in love with the often-absent fisherman Chin-shui, but a bout of premarital sex leaves her pregnant and vulnerable to malicious gossip.

Taiwanese romance film.

Storm over the Yangtze River tells the true story of undercover intelligence agent "Yangtze Number One" and his colleagues in Jianli County of Hubei Province, who risk their lives to carry out the "Dead Bridge Plan" to secure the "Yangtze 180 Blockade". Li Lihua gives an iconic performance as a strong and charming agent of an intelligence unit, engaging in a risky mission to save her unit chief-cum-lover, who is regarded as a traitor but actually is a double-dealing agent against the Japanese occupation. The film garnered four awards at the 1969 Golden Horse Awards, including Best Leading Actor and Best Leading Actress.

Peigang, his family's only son for three generations running, is to be executed on account of larceny, but not without the intervention of his grandmother.

All-star cast in this rare sword film from Taiwan. Top masters battle it out for supremacy and calmness in the martial world.

In a tiny Chinese fishing village, two rival fishermen compete for a young woman's love. She does love one of them, but as she is obligated to the other, she cannot marry him. Tragedy is averted when the one she is obliged to falls in love with another. Happiness briefly ensues as the men, with their respective mates, resume their friendship. Unfortunately, they set out to sea and disappear.

After winning a prestigious new sword, a young man's life collapses. He loses a duel, his fiance and his teacher, beginning a downward spiral.

Hui Pui-ching, a gentle and fragile woman, endures relentless abuse from her violent husband Fan Pak-nan. By chance, she meets Ha Mon-hin, a cultured and compassionate businessman trapped in his own loveless marriage. Drawn together by loneliness and understanding, their relationship unfolds quietly along seaside walks, where a simple purple shell becomes a symbol of tenderness and fragile hope. As suspicion, jealousy, and blackmail close in, their impossible love spirals toward devastating consequences.

In an attempt to seize the famous Tai Hsuan Book of Swords the outlaws Wang, Ku, Lu and Pai Feng attack the Hsia Tien Tsai Mansion and slaughter all righteous opponents. Only Hsia’s baby daughter survives and the dying mother leaves a message in blood to urge her to take revenge once she is grown up.

A deranged swordsman travels the land taking on all comers and defeats them all with ease. News of these vile fights travels fast, and before long two other students of the sword are dispatched to rein him in.

A detective writer and his girlfriend are involved in a mysterious case when he watches at his neighbor's house.

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times