Gianfrancesco Guarnieri

Júlia and Pedro suffer from the cruelty of their grandmother, Bia Falcão. Júlia runs the luxurious Belíssima factory and falls in love with Nikos, a friend of her sister-in-law Vitória.

Four stories intertwine, revolving around moral dilemmas of life in society. A secret unites student Alice and mega-businessman Raul Pelegrini, who are major ideological opponents.

A young law student starts to work as a detective, decided to uncover the identity behind a series of murders, as well as who is next.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

The cheerful and outgoing Jordana lived alongside Silas for 20 years, helping him become wealthy. Despite this, he abandons her to run away with the opportunistic Carla. After the separation, Jordana faces financial difficulties. She then meets Dona Mena, an eccentric and lonely old woman abandoned by her family. Jordana takes care of Dona Mena and, when she dies, inherits four bronze cupids containing a million dollars. The problem is that the cupids disappear without a trace. The cupids become the subject of a fight between Dona Mena's nephews, Loreta and Carlito. The two are the villains of the story. Jordana, however, ends up falling in love with Carlito. In the final chapters, Jordana manages to recover the cupids and rebuild her life. She has the help of her friend Vieira.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

The main plot revolves around a hidden treasure. The story begins when a gang steals ten million dollars worth of diamonds in Uruguay. To escape the police, one of the thieves, Rodolfo Torres de Almeida, flees to Argentina. His partner, Ivo Simeone, travels to São Paulo with the jewels. Ivo decides to hide the precious stones and, to ensure he doesn't forget the hiding place, has a map tattooed above the buttocks of a girl, the daughter of his neighbor. The thief takes care to photograph the girl so he can identify her in the future. Ivo is arrested and, eight years later, when he gets out of jail, he is run over and killed. Before dying, however, he manages to tell his son Rodrigo the secret about the treasure map. The young man follows the clues given by his father and discovers that the young woman with the tattooed map is Elisa, a novice nun cloistered in a convent, about to take perpetual vows.

A Muralha is a Brazilian telenovela that first aired on TV Excelsior in 1968. It is based on a novel by Diná Silveira de Queirós.

In the imaginary king of Avilan, the bastard prince Jean Pierre leads a popular group against councilors who will invade Rainha Valentine's palace and take away the power.

The story follows the lives of Naná and Gegê, a pair of con artists. Gegê is the uncle of Tina Pepper, a Tina Turner fan who dreams of becoming a famous singer.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

The soap opera critiques the power struggles among rural politicians in the 1920s. Joaquim is shocked when a doctor reveals that his son, Luís Jerônimo, has a lung lesion. To recover his health, the young man leaves Rio de Janeiro for Colonel Boanerges's farm in Vila da Mata, Espírito Santo. There, he meets Zuca, and the two fall in love. Zuca is the colonel's goddaughter and the fiancée of the fearless cowboy Tobias, who refuses to accept the possibility of losing her to the outsider. Zuca and Luís Jerônimo face numerous obstacles in pursuing their love. Their romance is also threatened by the arrival of Pepa in Vila da Mata; having been in love with Luís Jerônimo back when he lived in Rio, she tries by every means possible to drive the couple apart.

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.

Story of a modest but talented soccer player for an obscure club in a small Brazilian town who comes to São Paulo and reaches stardom.

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

Worker Norival's life turns upside down when he is caught kissing his co-worker Catarina during work hours. He is fired for just cause and faces the hardships of the labor lawsuit he filed against the company.

The story of two immigrant couples: Teresa and Angelo; Pierina and Massimo. While fighting for survival in the new world, the unexpected love of Massimo and Teresa appears. They react against family and cultural traditions and leave to a new destiny, leaving their partners. Quatrilho is the name of a card game in wich the player have to betray his partner in order to become the champion.

A documentary of profound irony about the bourgeois dream of establishing a film industry in Brazil in the 1930s. The project in question, the Companhia Americana de Filmes, went bankrupt before finishing its only film, which was called 'Eterna Esperança' (Eternal Hope).

Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.

Solano is often plagued by nightmares in which, during the Middle Ages, he is pursued by the hunter Faro, who intends to kill him. On discovering, in an antiquarian, a tapestry that represents a hunt and that reminds him of his dream, he tries to buy it, but the owner refuses to sell it.

A man who works at a nuclear plant is contaminated by radioactivity. On the way to the hospital, the ambulance has an accident, and the man's head disappears. Lost and free from its body, the head goes through many adventures.

A TV reporter tries to find out who is killing prostitutes in a São Paulo neighbourhood.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

On the day of his wedding, young man from a family of immigrants faces some problems to get the money needed for the last arrangements. The family do what they can in order to honour the great event, selling personal belongings and buying enough supplies for a decent party.