Gin Maeda

The time spent between professional Shogi player Kiriyama and his three stories helps to heal his wounds. As he prepares to secure another win in an upcoming tournament, the father who left the three sisters appears and disturbs the peace.

Rei Kiriyama (Ryunosuke Kamiki), 17 yaşında bir shogi (Japon satranç oyuncusu) oyuncusu. Ortaokuldayken profesyonel bir shogi oyuncusu olarak girdi. Ailesinin ve küçük kız kardeşinin küçükken trafik kazasında öldüğü için Tokyo'da kendi başına yaşıyor. Bir gün, Rei Kiriyama komşuları olan üç kız kardeşle tanışır. Üç kız kardeş Akari Kawamoto, Hinata Kawamoto ve Momo Kawamoto. Bu, yıllar geçtikçe, shogi dünyasının dışındaki biriyle yaptığı ilk görüşmesidir. Kawamoto ailesiyle birlikte yemek yemek, Rei Kiriyama'ya sıcak duygular getirir. Rei Kiriyama, mezuniyet kariyerine devam ederken, komşularıyla yaptığı etkileşimler ona bir shogi oyuncusu ve bir kişi olarak büyümesine izin verir.

Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka finally finds a home as a Muraoka family hitman and falls in love with boss Muraoka's niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo draws our series' hero, Shozo Hirono, and the other yakuza into a new round of bloodshed.

Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.

In the year 1590, the mighty warlord Toyotomi Hideyoshi is close to fulfilling his ambition of unifying all of Japan under his banner when he comes across unexpected resistance in the form of a floating fortress known as Oshi Castle. Narita Nagachika, a frivolous hedonistic fellow and unlikely candidate for the position of rebel general, finds himself in charge of defending the castle. His odds? An army of 500 men to combat Toyotomi Hideyoshi's army of 20,000.

Two infantry regiments of the Imperial Japanese Army—210 men overall—tackled Mt. Hakkoda in the winter of 1902 to prepare for war with Russia.

In this made-for-television movie, director Kazuyoshi Yoshikawa brought together Fujita Makoto and Masahiro Takashima for the remake of Akira Kurosawa’s Red Beard! A physician and his assistant work desperately to save lives in the face of budget cutbacks at their clinic.

Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

The 50th film in Tora-san series, using the old footages and newly shot scenes to celebrate the 50th anniversary of the series. The adult Mitsuo, Tora-san’s nephew, who runs into Izumi, his first love, whom he had once promised to marry. The familiar faces of Kurumaya Cafe, which Tora-san’s family ran in Shibamata, also return. Catching up with old friends, it is always their dearest memories of Tora-san which everyone shares on such occasions…

Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.

Masaharu Fukuyama reprises his role from 2008's "Suspect X," playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he's staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It's a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.

When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.

Director Ogata discovers a new female star in Koharu Tanaka, who works selling candy at a studio theater and she is given a part as a bit player. After the studio's top leading lady is embroiled in a scandal, Koharu is suddenly thrust into the limelight when she replaces her in a film and gains instant fame and fortune. But the going is not always easy, and she soon seeks help from unexpected quarters.

During his travels, Tora-san gets drunk with an old man in Kyoto. Though Tora-san never fully comprehends his importance, the old man is a Living National Treasure ceramist. At his home, Tora-san makes a good impression on the old man's maid, who apparently falls in love with Tora-san.

A detective is charged with investigating a bank corruption scandal.

Tora-san, an itinerant peddler who is thrown out of his father's house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting.

Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.

When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

After failing to find a job, Mitsuo becomes a fisherman on a small island, and develops a crush on a young nurse there. Tora-san, dispatched to bring Mitsuo back home, himself falls in love with an attractive but troubled woman visiting her father.

A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.

After a chance encounter with Hiroshi's father on a bus, Tora decides to get serious and reflect on the mortality of man. His plans are derailed when a beautiful lady starts working at Toraya.

Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

A family drama series that follows the lives of the Okakura family, focusing on the parents and their five daughters. It explores personal struggles, and societal issues through the interactions and conflicts among the family members.

A successful screenwriter looks back on her life when she learns her husband has cancer. A year-long series, starring Narumi Yasuda.

Massan is based on the lives of Masataka Taketsuru and his wife Jessie Roberta "Rita" Cowan, a Scotswoman Taketsuru met while studying abroad.

Yū Amagi is a slightly eccentric detective who has been assigned to the Twelfth Section of the Tokyo Metropolitan Police Department's First Investigative Division from the Lost and Found Centre. The Twelfth Section is called the "graveyard of detectives" and ridiculed as the "banishment room where hardened detectives who cannot be fired are sent." Its assembled detectives Kōsuke Samura, Takumi Yamashita, Keita Nagasawa, Tamaki Mizuta, and Masatoshi Katagiri are elite and yet oddballs. Amagi appears fixated with time which seems to have no relation with a case. Raising questions about the timelines of the perpetrator and victim derived from the estimated time of death, time of crime, time of alibi, and time limit, he searches for the meaning of "blank time" which arises from this. He obsesses over the weight of every minute and second of time because of some incident.

"Blackboard ~ Jidai to Tatakatta Kyoushitachi~," revolves around teachers in different time periods having to deal with the problems of that era. The first episode stars Sakurai as Shirahama, a junior high school teacher who taught his students about "dying for your country" during wartime. After later losing his right arm in the war, he returns to teaching but is burdened and conflicted by what he taught his students in the past. The second episode of "Blackboard ~Jidai to Tatakatta Kyoushitachi~" stars Sato Koichi as a teacher during the 1980s having to deal with school violence. Shida Mirai plays a delinquent student, and Kanjiya Shihori plays another teacher at the school. Set in modern-day Japan, tackles the story of forbidden teacher-student relationships. Matsushita Nao plays a devoted English teacher who's offering personal lessons for a pupil (played by Kamiki Ryunosuke), who barely can read or write.

Former delinquent turned unconventional prosecutor Kohei Kuryu shakes up the legal world with his street-smart instincts and unorthodox style, clashing with ambitious colleague Maiko Amamiya while his relentless pursuit of justice gradually transforms those around him.

The 78th NHK Asadora is Hitomi. The series takes place in the old shitamachi area of Tokyo, and in these most recent episodes, 20-year old heroine Hitomi becomes the force around which her divorced mother, long estranged from her own father, is forced to reconcile and renew a sense of family camaraderie. This is not particularly easy, given the trifling issues and problems of modern day life that beset each of the characters, and the drama unfolds with a light comedic touch. Hitomi's upbringing is the issue that is constantly brought into focus. The family reconciliation is made possible, ironically through the death of Hitomi's grandmother. Hitomi seizes the opportunity to travel to her funeral from Sapporo. Once there, she sets out to realize her dream of becoming a dancer, all the while interfering with and disrupting her grandfather's life.

After participating to a previous show where they have to bet or be challenged to any kind of competitions, the losing members of the Gaki no Tsukai are selected to spend 24 hours in a setting which they have no knowledge of the theme nor the course of the events. They are exposed to various absurd and crazy situations nonstop for 24 hours and must refrain from laughing. If they do so, hang-men appear and hit the rule breakers with a weapon (the weapon varies every year).

The 38th NHK Asadora. Based on the autobiography of Tetsuko Kuroyanagi's mother.

Hotshot Nagase Saichi is Tosaka Real Estate’s top realtor. He lies through his teeth and will stop at nothing to seal a deal. One day, he disturbs a monument located at a construction site. Cursed with the inability to tell a lie, he is forced to run his mouth off with things that are better left unsaid. With so many angry clients, he's got no hope of surviving as an honest realtor.

The chronicles of Sakamoto Ryoma, a pre-revolutionary who helped shape the face of modern Japan. In order to study swordsmanship, Ryoma heads for Edo where he meets many people who influence his thinking. He becomes close friends with men like Katsu Kaishu and Saigo Takamori and later establishes a naval training school in Kobe. Ryoma's controversial political views make him a target for shogunate assassins but his fervent belief in a classless society helps forge the Choshu-Satsuma alliance which ultimately brings about the Meiji Restoration.

Saburo is a high school student good in sports, but not very good with his studies. One day, Saburo travels back in time and arrives in the Sengoku period of 1549. There, Saburo meets Nobunaga Oda who looks and sounds just like Saburo. Nobunaga Oda is the son of a warlord and magistrate of the lower Owari Province. Nobunaga Oda though is physically weak and he asks Saburo to take his place. Then, Saburo as Nobunaga Oda attempts to unify the country of Japan.

Smile is a Japanese television drama series, shown on TBS started last April 17, 2009. Jun Matsumoto plays the lead role of Vito, a half-Filipino, half-Japanese man who always smiles despite all of the problems and difficulties he faces. The series focus on foreigners and mixed-race children who suffered from racism

A romantic comedy set in a high school in Kamakura. Ekiden Club member Yutaro Takagi and Beth Green, an exchange student from the US enrolled in the same class, are married internationally due to certain circumstances, which puts them in a difficult position, and the drama depicts their lives and the various events that occur at the school.

The series is about a girl suffering from multiple personality disorder.

Hako was senteced to 7 years in prison on a robbery charge for the host she loved. Ayaka killed her husband to protect their son from domestic violence. These two women became acquainted in prison and forged strong bonds. After they are released from prison, they stay together and begin new lives in the old district of Yanaka in Tokyo while carrying pasts that no one must not know.

After returning to Japan from a five-year overseas assignment, Tokio Sakamoto (Kyōzō Nagatsuka) takes up his new post as acting branch manager of the Gotanda branch. Branch manager Yoshiharu Takushi (Gin Maeda) orders Tokio to lay off Marika, Emiko, and new employee Nanoko, who are considered "burdensome office ladies." To gather information, he invites the three women to a bar, but when he discovers their true identities, he is filled with bitterness. He then decides to train them to become independent, and all three of them develop feelings for Tokio.

The story of two girls switched in an orphanage.