Berta Loran

Zorra Total is a Brazilian television comedy broadcast by Globo Network. It was launched on March 25, 1999 and has aired on Saturdays, at 10p.m., ever since May 1999. The show is a sketch comedy show. It is the audience leader on its slot.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

The Enchanted Tale is an epic telenovela encircled by castles, kings and outlaws that tells a majestic love story between Azucena and Jesuino: two noble spirited young people who are unaware of their true origins. Beautiful Azucena and her hero Jesuíno go through many adventures in their determination to stay together.

Imagine a strong and tender hearted woman, a confused man and a villain capable of everything to get money. We have the perfect love triangle to a classic love story.

Nonô Corrêa, a character inspired by Molière's "The Miser", is the story's protagonist. The orphan Zezinho crosses paths with Nonô and wins the neurotic gentleman's heart.

A sketch show satirizing Brazilian television programs.

Mário Fofoca, a bungling detective, moves to Rio and, with the help of a friend, investigates cases—starting with a wife's suspected infidelity.

'Escolinha do Professor Raimundo' was a comedy program starring Chico Anysio, the unforgettable Professor Raimundo Nonato, and which brought together some of the biggest names in Brazilian comedy. Marked by informality and improvisation, the School was a landmark, immortalized catchphrases like "And the salary, huh?" and paved the way for new and established talents. Created in 1952 by radio host and comedian Haroldo Barbosa for Rádio Mayrink Veiga, the School arrived on TV five years later as a segment of the program Noites Cariocas, on TV Rio. For 38 years, the School was a segment hosted by Chico Anysio in various comedy programs. In 1990, it premiered as an independent program on Globo and became a classic of Brazilian television.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

Comedic portrait of middle-aged women in Rio de Janeiro, including overworked housewife Magali and her over-the-top twin sister Magda, psychoanalyst Paula and her troublesome daughter Melanie, and stage star in crisis Lise.

After all the trouble in the first film, Tino and Jane have more fun adventures. Still tasting bitter failure, they see a light at the end of the tunnel with uncle Olavinho’s unexpected inheritance. However, the will carries an unusual request: the rich uncle wants his ashes to be scattered throughout the Grand Canyon. The couple takes the opportunity of the trip to fulfill this wish and decides to go to Las Vegas and end up getting into comical situations. Big time spender Tino will fall into the greatest temptations and indulge in the casinos of the gambling city.

Barber likes to help everybody in town. Now, he's trying to help a young couple in love defeat the girl's tutor, who is against the romance.

Alberto Verani is a married farmer and a relentless womanizer. When his wife Marina is away he tries to seduce Condessa Arduini sending her a bouquet signed anonymously. However Marina is the one to find the gift and hides it from Alberto, believing she have a secret admirer. So the husband keeps sending her flowers to test the fidelity while an outsider man discovers the plot and start to takes advantage of it.

While navigating from Rio de Janeiro to Vitória, the stewards Didi (Renato Aragão) and Dedé (Dedé Santana) and the inexperienced captain of the passenger vessel Anna Nery flirt with a group of models. In the return trip, Didi and Dedé simulate that the ship is sinking, and with another steward, they kidnap the captain and use a liferaft to go to a desert island with four models. But the island is the hidden place of a dangerous gang of smugglers, jeopardizing the group.

Willing to do anything to succeed in an artistic career, and roused by her own mother, the TV go-go girl Zelinda tries to seduce the director of the studio where she works.

Three young women sharing a room in a boarding house owned by a very strict matron dream of becoming famous in show busines

Lucas and Bebel decide to get married and have no idea that religion will be a reason for discord in families. While the bride's father wants to strengthen Jewish traditions, Luke's mother wants her son to take Umbanda traditions to his future family.

After two years together and a lot of financial planning, Júlio and Daiana finally reach their dream of holding the long-awaited wedding party, so that they can finally get married in the church as per the rules. Everything seems to be going well, until the groom receives a message on his cell phone before the ceremony begins.

The story of the famous "Polacas", Jewish women deceived into prostitution in Rio de Janeiro in the early 1900's. Ricardo interviews Mrs. Mira, who struggles to bring back memories from her mother's past as a Polaca.