Ahmed Salama

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Dünya Savaşı’nın sert koşullarının ortasında İskenderiye’de yaşayan genç Yahya, kendine fantezilerle dolu bir dünya yaratır. Hollywood’u saplantı haline getirip, ABD’de okuma hayalleri kurar. Ne var ki, âşık olup kalbi kırılınca, hayal dünyası yıkılır, savaşın gerçekleriyle yüzleşir.

The film revolves around the "Blue Whale Challenge" game used by many young people and adolescents, after the spread of technology and the parents are too busy to look after their children which might lead to their exposure to great risks.

A dancer leaves a folklore troupe to work in a nightclub on El-Haram street. Three men get into a conflict over her. Which one will she choose?

Three prisoners, Sultan, his brother Hamada and a highly dangerous convict, escape from jail and hide in Dr. Zaki's villa in Maadi. The villa's residents live in fear, while the police searches for the fugitives.

The child (Barakat) from his mother gets lost in the crowd of the birth, to be kidnapped by the seller (Ali al-Araj) and taken to his home and called (Ibrahim), to grow up in an environment of all criminality, and involved working with a smuggling gang, and travel with them to Greece to carry out an operation, to change his life .

When Shaikhon marries Dalal, a belly dancer, they are blessed with two kids. Shaikhon steals Dalal's money to buy the club where she works. Dalal gets back at him and reports him to the police who have him imprisoned. When he comes out of prison full of vengeance, his past ghosts still haunt him.

Adel Imam and neighbour Abdel Moneim Madbouly are taken to a Police station after an altercation with a bus conductor. They are mistakenly arrested with a group of suspected terrorists and taken to a maximum security jail.

Ahmed, a taxi driver, returns a forgotten handbag to Yasmine, a nightclub singer, earning her gratitude. As she's pressured by her boss and pursued by Mokhtar, her son Ezzat runs away. Bringing Ezzat back, draws Ahmed and Yasmine closer.

Batta, Sakina, and Nawal .. Three friendly girls, neighbors from one lane, with similar difficult social conditions and also the dream of marriage before spinsterhood.

When Hamdy publishes an investigative report condemning the owner of a textile company and accusing him of embezzlement and bribery, the owner tries to clear his name by getting the factory workers and Hamdy to change their testimony.

Sewer worker Saber learns about the role of the woman who decides to repent. He claims to the people of the neighborhood that he is his cousin and lives in the house of the teacher Nusa. Mimu, one of the gang members, arrives at her house to greet the warm people, but they do not give up. Saber's grievance is finally accepted. October is victory and transit, Saber returns from the battle injured and warm people celebrate his marriage in part.

After his brother graduates, Khaled proposes to Dalia, but after a while, he offers his family to live with them after his marriage in their apartment, due to the difficult costs of living. However, things do not stop there for the father and mother.

Kawthar leaves her fiancé Ahmed and marries the wealthy Shamis, the owner of the factory where her father works, after a quarrel broke out between them because of her father. She wins his admiration. Ahmed completes his studies and graduates from the Faculty of Engineering. He falls in love with his colleague, the engineer Nahid, and they agree to get married, while Shamis is killed by his lover's husband. Kawthar asks the engineer Ahmed to help her manage her late husband's factory because she faces many problems in managing it. By chance, she learns about Ahmed's relationship with Nahid.

The film revolves around Sherifa, the Pasha's daughter, who marries Adel, the driver's son, and gives birth to her daughter Fatima. However, the Pasha forces her to divorce her, and Fatima ends up in the reformatory.

Aida rejects the marriage of her son Hisham with Zouba to the social difference between them, but he clings to her. Aida pretends madness until her son succumbed to her desire.

A sweeping saga spanning Egyptian history from the era of King Farouk to the early 21st century, Al Helmeya Nights centres on the bitter rivalry between the Al-Badri and Ghanem families in Cairo's Helmeya neighbourhood. Driven by revenge, ambition, and shifting power, the series — written by Osama Anwar Okasha with over 300 actors across six seasons — is widely considered one of the greatest achievements in Arab television drama.

The events of the series revolve around the story of the rise from the bottom to the top of Abdel Ghafour Al Borai (Noor Al Sharif), starting from the agency of Hajj Ibrahim Sardinah (Abdul Rahman Abu Zahra) until he becomes a private business owner who makes a fortune, during which he has admired Fatima (Abla Kamel), a saleswoman. Al-Kushari, whom he admired, passes the days and marries Fatima and gives birth to his son Abdel-Wahhab (Mohamed Riyad), and four girls (Sunni, Bahira, Nafisa, and Nazira), and despite the availability of the elements of happiness in the life of Abdel Ghafour Al-Borai, he suffered from the separation of his only son. About him, and Abdel Wahab's insistence on building a very special world away from his father and his influence.

The series is set in Upper Egypt and is based on a true event in which the tyrannical parents of Abdul Hayy, a rebellious young man, force him to face several difficulties

The role of the story about the class struggle between the old feudal class represented in the family of Al-'Azayzeh and the class of new owners represented in the family of Al-Sawalim who were previously employed.

In a town called Bahtoon Al-Jabal where the Hawara family lives following many fanatic customs. Sheikh Badar breaks the customary traditions and marries his daughter to a man from outside of the family, prompting her brother to try to kill her.

Gaber Ma'moun Nassar, a famous businessman with a good reputation among people, lives a quiet life with his wife and daughter. Throughout his whole life, he has tried to hide the fact that he is an illegitimate child. When a murder occurs and he gets investigated, it reveals his hidden secrets.

The series revolves around the family of Haji Abdul Sattar, who is a drug dealer and is assisted by his eldest son without the knowledge of his family. When Abdul Sattar dies, his sons know the truth from their elder brother, and they decide to complete a drug deal so as not to lose their money.

The series revolves around the family of Fatima Ta'alba (Huda Sultan) and her children. Her eldest son is Hajj Darwish (Youssef Shaaban). The idea of ​​the series revolves around the framework of an Egyptian family, the mother, Fatima Talaba, who raises her children in her own style, and her main goal is to form a large, interconnected and undisjointed family, and to secure the family's future by buying agricultural lands for them to become property owners. Hajj Darwish is the head of the family and is married to Maryam (Fadia Abdel-Ghani), his cousin. Fatima Talabeh controls all the family’s decisions to the extent that she chooses the wives of her children without taking their opinion and marries them. The mother controls the wives of her children and the entire house, including those in it.