Aleksander Bardini

Güzel ve seksi eşi, evliliklerinde cinsellik olmadığı gerekçesiyle Karol'dan boşanınca talihsiz adamın yaşamı alt üst olur. Eşiyle birlikte tüm mal varlığını, kuaför salonunu kaybeder, aşağılanır, polis tarafından aranır, sonunda beş parasız ve kimliksiz olarak vatanı Polonyaya geri dönmek zorunda kalır, ancak eşiyle tekrar bir araya gelme ümidini hiç ama hiç yitirmez, bazı planları vardır...

Veronika Polonya'da yaşamaktadır, Veronique ise Paris'de. Birbirinden haberleri bile olmayan bu iki insan, bir şekilde birbirlerinin hayatlarını etkileyeceklerdir. Veronika bir müzik okuluna girer ve çok çalışır. Ancak ilk performansını verirken ölür. Veronique'nın hayatı da bu noktadan sonra değişmeye başlar ve aniden şarkıcı olmamaya karar verir. Krzysztof Kieslowsk'nin fantaziyle yoğrulmuş bu muazzam filmi, senaryosunun orjinalliği ve Renk Üçlemesinin son halkası olan Kırmızı'da oynayan İrene Jacob'un iki karakteri de son derece inandırıcı bir şekilde oynamasıyla dikkat çekiyor.

Genç bir avukatın hayaleti sıkıyönetimden sonra dünyayı gözlemler. Üç motif iç içe geçmiştir. Genç avukatın savunmayı düşündüğü bir işçi, muhalif eylemcilerden olmakla suçlanmaktadır, ancak bu eylemci şimdi bir tür uzlaşmaya razı olmuş yaşlı bir avukat tarafından savunulur. Avukatın dul karısı ancak kocası öldükten sonra onu ne kadar çok sevdiğinin farkına varır ve içinde taşıdığı boşlukla başa çıkmaya çalışır. Filmde metafiziksel öğe de mevcuttur. Artık orada bulunmayan bir adamdan, ardında bıraktıklarına gönderilen işaretler.

A biology professor, Adam enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.

This is the true story about a group of Romani's (gypsy) in occupied Poland during World War II as they confront the atrocities and tragedies of a forgotten holocaust.

Madrid, 1962. More than twenty years after the civil war has finished, a communist comes back to Spain to kill a traitor.

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect.

Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality.

A banker troubled by both business and personal problems is transferred to a small town. There he meets and seduces an older woman. Together, they decide to pull off a payroll holdup together.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

A film meant to show what people were told to believe about the wonderful lives that Polish peasants led in post-war Poland.

Jan weds his mentally ill wife Joanna at her insistence, but her increasing dependence on sedatives, and the clandestine extra pills supplied by Jan, their son Piotr and Jan’s friend Maria, leads to Joanna’s fatal overdose. Accused of murder, Jan endures a trial, psychiatric evaluation and deep depression before the case is dropped; only after reconciling with his children does he finally leave the clinic to return home.

In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.

The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.

Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.

In the 18th Century, in Bohemia, a government surveyor meet a priest during a lunch and remained intrigued by him. Years later, in a stony valley, the two men meet again and form a deep friendship.

A documentary portrait of Aleksander Zelwerowicz, the master of the Polish scene, created on the occasion of the 60th anniversary of his artistic career. He played over 800 roles, the directors of the film chose his three masterpieces: a theater one, a film one, and a radio one.

A student who missed his final exam because of illness arrives at his professor's house to beg to be allowed to take it.

The first feature film to represent the Holocaust from a Jewish perspective. Shot on location at Landsberg, the largest DP camp in U.S.-occupied Germany, and mixing neorealist and expressionist styles, the film follows a Polish Jew and his family from pre-war Warsaw through Auschwitz and the DP camps.

A famous opera singer comes to his hometown in Poland, where he loses his voice.

An Uruguayan diplomat brings his new wife with him on a business trip to Poland in the summer immediately preceding the outbreak of World War II.

The mis-adventures of three Polish-Jews on the road to Gdansk is the basis for this German comedy that was filmed in New York, Germany, and Poland. Genovefa and Moshe have been married and living in New York for 30 years. Physically the couple resembles Mr. and Mrs. Jack Sprat. The two have decided to return to Poland for a visit. They intend to have Moshe's best friend Isaac, an unlucky, depressive German, take care of their house while they are gone. Unfortunately, Isaac loses his job before they go and ends up accompanying them on a Polish freighter. When the ship dies in a German port, the threesome must go overland to Gdansk. They encounter many mishaps along the way.

This sarcastic drama is taken from the popular Hungarian novel by Tibor Dery. A terminally ill writer (Jozef Kroner) of national prominence watches as family and friends gather like vultures for his imminent demise. Relli (Alexander Bardini) smiles and pretends to be the writer's friend as he tries to get his hands on an unpublished manuscript. The opening scene is the highlight of the film. While the dead writer is being laid to rest in a national funeral, he emerges from the coffin and walks into his own grave while the mourners flee in terror.

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

Decalogue, Krzysztof Kieślowski'nin yönettiği ve Kieślowski'nin Krzysztof Piesiewicz ile birlikte yazdığı ve Zbigniew Preisner tarafından hazırlanan bir müziği olan 1989 Polonya televizyon tiyatrosu dizisidir. On Emir'in esinlendiği on adet bir saatlik filmden oluşuyor. Her kısa film, modern Polonya'da yaşayan karakterlerin karşılaştığı bir ya da birkaç ahlaki ya da etik sorunu araştırıyor.Serisi Kieślowski'nin en beğeni toplayan eseri olan "şimdiye kadar televizyon için yapılmış en iyi dramatik eser" olarak söyleniyor ve birçok uluslararası ödül kazandı, ancak 1990'ların sonlarına dek Avrupa dışında yaygın bir şekilde yayımlanmadı. Film yapımcısı Stanley Kubrick 1991'de yayınlanan senaryosuna hayranlıkla bir önsöz yazdı.

Crime series about Hamburg customs investigator Hans Zaluskowski, who joins forces with his colleagues to take on smugglers and fraudsters. In doing so, he not only has to contend with opaque EU customs regulations, but also solve tricky cases with international implications.

An epic, multi-threaded story about the fate of Poles during World War II. "Czas pogardy" was shown primarily from the perspective of two main characters - Lieutenant Władysław Niwiński and Leon Kuraś - a petty crook, but not without heroic traits. The authors of the series sought to show, in particular, everyday life under Nazi occupation in Poland.

Horror legend Christopher Lee hosts this anthology in the tradition of Alfred Hitchcock Presents, each half-hour episode adapting a story from a classic author, with tales by Edgar Allen Poe, Fyodor Dostoevsky, Ambrose Bierce, Robert Louis Stevenson, and Oscar Wilde.