John Fryatt

In a world gone mad with languid ladies and affected gentlemen, the lovesick maidens of Castle Bunthorne forsake their handsome soldier suitors to pursue poet aesthete - and fake - Reginald Bunthorne. But he loves the village milkmaid, Patience, who doesn't like poetry or understand love. When Patience finally learns what love is, it's Reginald's rival she falls for.

Live performance of Mozart's opera buffa "Le nozze di Figaro" from the Glyndebourne Festival Opera in 1973, featuring Knut Skram, Ileana Cotrubas, Benjamin Luxon, Kiri Te Kanawa, and Frederica von Stade.

Cox works by day, and Box by night. Their rascally landlord lets the same room to both of them and doubles his profit. But eventually they discover they are not only involved with the same girl... but are indeed long-lost brothers! Featuring the London Symphony Orchestra and the Ambrosian Opera Chorus

Offenbach's popular comic opera poking fun at Greek mythology in english translation, staged for television by Christopher Renshaw.

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

The cynical young Onegin rejects Tatyana, a dreamy, bookish country girl. But Onegin lives to regret it when, years later, he re-encounters Tatyana, now a beautiful, worldly woman who has married into wealthy society. Tchaikovsky clothed this tale in the Romantic theatrical, domestic, and ballroom music of the story’s milieu, in and around St. Petersburg circa 1820. Graham Vick’s staging.

Three zany puppets bring to life our greatest opera treasures, as Joan Sutherland, the world’s most famous soprano, performs their highlights. The puppets make up the audience: Sir William, a wise old goat; Little Billy, his nephew; and Rudi, a rather boisterous lion. Sutherland first introduces them to the story of each opera. Then, backed by the London Symphony Orchestra and a first-rate cast, she moves onto the opera stage, complete with elaborate sets and elegant costumes. After each exquisite aria, the diva comes back to her inquisitive friends and unfolds the plot.