Luli Bitri
Oyuncu · d. 1976 · Lushnjë, Albania
Luli Bitri (born June 27, 1976), is an Albanian actress, voice actress, director and producer, graduated from the Albanian Academy of Arts in 2004. She began her international career with the 2007 film Father and Godfather, directed by Dhimitër Anagnosti, continuing with the 2009 film Alive! directed by Artan Minarolli and the 2011 film Amnesty, directed by Bujar Alimani. With the last two films she entered in the List of Albanian submissions for the Academy Award for Best Foreign Language Film in 2009 and 2011.
Filmler9
Film6.7DramA young college student from rural Albania leaves school to visit home, only to find himself embroiled in his family's deadly blood feud.
FilmDramLena is a 20 year old woman who lives in Athens, works at a local supermarket and lives with her family.What if keeping her baby is the only way to keep her job?
FilmDramThrough the eyes of Era, a resilient yet fragile woman, the audience is introduced to a dystopian reality where victims and perpetrators of violence are intertwined, and the boundaries between guilt and innocence become blurred.
Jerëm
None
FilmRomantikA mid-life crisis of a 40-year-old man recently separated from his wife, who goes back to his country in search of a change and of himself.
Love: Dashuri
2021
Film
Film5.3DramTwo people meet up in jail when they come for monthly visits of their spouses. They fall in love after becoming witnesses to a wedding in jail but their relationship has to end because both their spouses get amnesty from the government.
Film6.5DramThe events take place in a small Albanian village, around the '30ies. This isolated land, dominated by rituals and patriarchal relationships is the spirit that welcomes the newborn child of Abas. Servet, a co-villager, emigrant in the United States of America comes back in his homeland bringing a new vision and a new mentality, which serves as an inspiration for the 10 years old boy, Gjoleka, the son of Abas. Gjoleka founds himself in between of the ideas of his wild father, Abas and his illuminist godfather, Servet. Gjoleka symbolizes the young generation in the difficult realities that offer small and underdeveloped countries, where the outside world constitutes an irresistible attraction. The movie shows with a deep realism the human relationships, such as love, jalousie, hate, the impossibility to be integrated with another world, making this way a cruel autopsy of the weird society to which, "sometime" we belong.
Film7.0DramRudina sets off on a long journey with her unmarried pregnant sister, Elma, to meet their strict and traditional father in the Albanian village where they were born. As Rudina's car makes its way over the mountains, Elma comes up with a plan to enlist a former classmate to play the part of her husband.
Film5.9DramA random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.
Holy Boom
2019 · 7 votes