Marin Karmitz
Yapım · d. 1938 · Bucharest, Romania
Marin Karmitz (born 7 October 1938) is a Romanian-French businessman whose career has spanned the French film industry, including director, producer, film distributor, and operator of a chain of cinemas. He comes from an assimilated Jewish-Romanian family and emigrated to France in 1948. Karmitz attended film school at IDHEC (renamed La Fémis) and worked as a director of photography after graduating. Karmitz founded MK2, a production company and movie theater chain, which has specialized in creating, distributing, and screening independent or "auteurist" cinema, including short films. In 2005, he turned over leadership of the MK2 company and its theaters to his son, Nathanaël. Description above from the Wikipedia article Marin Karmitz, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmler11
Film7.5BelgeselAn inquiry into two of the most influencial French filmakers friendship and feud.
Truffaut / Godard, scénario d'une rupture
2016 · 4 votes
Film8.5BelgeselMaria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.
Still Alive: film o Krzysztofie Kieślowskim
Still Alive: A Film About Krzysztof Kieslowski
2006 · 3 votes
Film6.2BelgeselTarihAn account of the life and work of French filmmaker Claude Chabrol (1930-2010), a sybarite Buddha, a furtive anarchist, an insolent lover of life.
- FilmBelgesel
FilmBelgeselGüney ömrünün on yılını cezaevlerinde geçirip, 1981 yılında Isparta Yarı Açık Cezaevi'nden kaçarak, hayatının son yıllarını geçireceği Paris'e gitti. Güney’in, Fransa’da bir sinemacı olarak gördüğü değer, 1982 Cannes Film Festivali’nde, ‘’Yol’’ filmine Altın Palmiye’yi getirdi. Belgesel, Fransa ve Türkiye arasında Yılmaz Güney vasıtasıyla bir köprü inşa ederek Paris’te Güney’in izini sürerken, "Duvar" filminin çekim sürecini, Güney'in siyasi mücadelesi ve sineması ekseninde etkilediği hayatları ve 12 Eylül sonrası ülkesini terk etmek zorunda kalan, Fransa'ya göçmen olarak gelmiş, Güney'in çevresinde yer almış, dostları ve çalışma arkadaşlarının hikayelerine, bu serüven içinde yolları bir biçimde kesişmiş olan sürgün insanlarının yaşam öykülerine de ışık tutuyor.
Film7.0BelgeselMore than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.
Film6.0Belgesel
FilmBelgeselIn the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.
Film6.9DramThe film describes a strike in a French textile factory, when the striking workers occupy the factory.
- Film1.0Belgesel
The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.
FilmBelgeselFranck Landron follows photographer Antoine d'Agata wherever he goes, to the edges of the world, in a discreet presence, camera in hand. He has been doing hours and hours of rushes, patiently, without hurrying or rushing, he wants this film as fair, as honest, and as long as it takes: it lasted six years.