Diana Peñalver

Lionel ve sevgilisi Paquita,hayvanat bahçesine gezmeye giderlerken meraklı annesi de onları takip eder. Ancak kadını Sumatra'dan gelen bir tür fare-maymun ısırır ve bulaşıcı bir zombi salgını başlatır. Annesini korumaya çalışan Lionel, onun kurbanlarını evlerinin bodrumunda saklamaya çalışır ancak olaylar giderek kontrolden çıkar ve zombiler bir ordu halinde dışarı taşarlar. Yüzüklerin Efendisi'ni yöneten Yeni Zelanda'lı yönetmen Peter Jackson'ın ülkesinde çektiği 3. uzun metrajlı filmi olan Braindead, komedi ve korku unsurlarını bir arada ve başarıyla barındırıyor.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

1965′de İspanya’nın kuzeyindeki Desberia’da yapılan baraj nedeniyle yakınlardaki Marinebad kasabası sular altında kalmak üzeredir. İki küçük çocuk, Teo veLuis, kasaba sular altında kalmadan önce güvenlik engellerini gizlice aşarak terk edilmiş hayalet kasabayı keşfe çıkarlar. Burada kasaba meydanındaki kilisenin bodrumundan gelen insan çığlıkları duyan çocuklar, bodruma indiklerinde zincirlenmiş insanlarla karşılaşırlar.

Two popular television actors, Ada and Bruno, are filming " Hotel de Fez ", a popular and popular television series that upsets the lives of its two protagonists. Together they will initiate a romance behind the small screen very particular since there will be no time or way to consummate it, which will cause a tremendous tangle sown with nonsense.

A child actor wandering between reality and fiction, a prisoner using his furlough, and a woman trapped at her son’s christening. A day in the life of each of the three members of a family over whom the same question hangs: Who am I, and who do I want to be? Three stories about identity, separated by time, but united by blood ties and a decision that will mark the lives of all three.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

Teenager Bianka is the coolest babysitter in town, until one night, it is discovered that she belongs to a satanic sect and needs to sacrifice a young virgin.

A group of nuns find an abandoned baby girl at the doorstep of their convent.

An ageing artist in the twilight of his career, Fermín's hand has started to shake. On the brink of financial ruin, he will have to move into the studio he shares with his friend Javier de Juan in an old garage, to which his son Pablo, also a painter, arrives on his return from a long trip to India, intending to stay with him. Their widely differing approaches to art and life will soon spark arguments between the two. Pepa, Pablo's mother and Fermín's ex, makes a suggestion: that they enter a competition to create their own version of El Bosco's The Garden of Earthly Delights, which could solve their financial problems.

The story of a Spanish Cardinal who is told he only has one more year to live. He decides to return to his hometown, after an absence of 30 years, to sort out his affairs.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

A peculiar family, which owns a nougat factory, decides to set out on a trip to Madrid in order to advertise its products in a Food Fair. Besides the disapproval from the family head and company founder, events are not as expected.

Azucena is 22 years old and lives with her mother, who, due to a past trauma, can no longer speak. Azucena works in a photography lab with her best friend Paqui, and has just broken up with her latest boyfriend Dani. Azucena lives in fear of sex and physical contact, hiding in her own sheltered world. Cesar, a plastic artist feels an obsessive attraction for Azucena, as a result, making her his inspiration. This obsession is painfully observed by Jacinto, the unstable artist's lover, who is himself involved in a violent and destructive relationship with Cesar.

Some friends struggle for their first jobs.

A young innocent man pursued for murder finds refuge with a bored married woman. Soon they become lovers.

Taxi driver David becomes the chauffeur for a famous bullfighter known as El Maestro, who is attempting a comeback after years away from the ring. El Maestro's perspective changes, and he starts seeing David as a good luck charm.

Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.