
Mircea Veroiu
Yönetmen · 1941 – 1997 · Tirgu Jiu
Mircea Veroiu was born on April 29, 1941 in Tirgu Jiu, Romania. He was a director and actor, known for Nunta de piatra (1972), Craii de Curtea Veche (1995) and Duhul aurului (1974). He died in December 1997.
Filmler7
Film7.2DramRecreating the early twentieth century in Bucharest, leading to an unforgettable journey to the cultural space of Romania bohemia. The film follows the life of one of the famous for his landscapes and still lifes most renowned painters of Romania.
Film8.2DramThis is a communist propaganda movie that follows the life of an engineer who is in conflict with power hungry apparatchiks.
Film5.5MaceraWesternAmerica’s Wild West of the last third of the 19th century. Thousands of people rushed here in pursuit of enrichment. Among them was Gabriel Conroy, a man absolutely helpless in the world of business. When fountains of oil started gushing on his plot of land, the local moneybags Peter Damphy decided to appropriate the land, and succeeded in it by blackmailing Conroy’s wife and his former mistress Julie...
Film7.9KomediDramAt Bucharest’s famous revue theater “Vox,” director Costică Caratase prepares a bold anti-fascist show despite growing threats from the Iron Guard. As pressure and violence escalate, he and his collaborators face persecution, turning their artistic resistance into an act of courage and sacrifice.
Film7.0AksiyonTwo couriers from a camp show up to communicate with the communists, when there should be only one. Which one is the impersonator sent by Germans?
Film6.8AksiyonA propaganda movie about the confrontation between the communists and secret police, legionaires in Romania.
Film6.5TarihDramIn the early 19th century the Romanian Theodor Diamant was inspired by the French utopian socialist Charles Fourier and established one of Fourier's "phalansteries" in Rumania. The film dramatizes the origins and demise of this effort, called the "Scaieni Phalanstery (the term is derived from "phalanx" and "monastery"). Among the socio-political commentary that is conveyed throughout, there is an important collusion between the army and the wealthy landowners of the time, and as the film points out in its own way, neither of these groups has ever been convicted of socialist/utopian tendencies.