Luisa Armenteros

The adventures of a couple of scoundrels in the Spain of the 16th century.

Amalio and Florencio are two cabaret artists who divorce their wives and stay with custody of their children. An unscrupulous cheat the two rent both of them the same dilapidated house. There will have to live both trying to get ahead as a team of magicians who happens to be a failure. But thanks to the ideas of their children, both parents are a couple of musical comedy that, despite initial failures, is a great success with the participation of the kids. Moreover Amalio and Florencio try to flirt with girls that are radically different from their wives but the kids will all the impediments that have no future.

Fabian and Casimiro are two respectable married men, who have their little adventures every now and then, like any good husband. The problem begins to Fabian when his wife Adela, accompanied by her friend Martirio, discover him with another woman. After this, and as revenge Adela decides to return the ball to Fabian, with his best friend. Aware of the plan, Fabian looks for someone to solve thesituation and finds Casimiro, which is suitable, precisely because he lacks "it".

Some gangsters believe they have been betrayed by Camilo, a small-time photographer, so they plan to kill him. First they send to Alexis, a murderer for hire, but his machine gun fails at the decisive moment. From that moment, Camilo and Alexis become inseparable friends.

Lola is a beautiful young girl who is going to have a child but doesn't know who is the father. So she says, first Paco and later Ataulfo ​​that the child is his. This causes the friends the enemisten and separate from Lola. Finally, reflect and come back for deciding that love between her and take care of the child. Then see who is closer, but in fact, none of them wants to take responsibility for the child.

Tato Montini (Andrés Pajares), a popular radio show host and ladies man, agrees to donate his penis for a transplant after his death. He dies, goes to Heaven and discovers that even in afterlife he would have still needed his penis.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Tales of terror by established authors such as Ray Bradbury or Edgar Allan Poe, as well as original scripts.