Tatyana Ivanova

Alesha Popovich has to catch Tugarin Zmey and bring back the stolen money with the help of a talking Horse (which talks all the time and has an opinion on everything), a wise granny, a donkey and a beauty Lyubava.

Yakup, güce susamış cadıyı, iyi ayakkabıcının oğlunu desteklemeyi reddettiğinde, aşırı uzun burunlu kambur bir cüceye dönüşür. Annelerini artık tanımayan, şehir halkı tarafından alay edilen ve kovulan Jacob, bir gün yolda kaz koşturur. Bahar hayvanıyla birlikte - aslında kralın kızı Greta'yı büyüledi - Jacob şimdi dönüşümü tersine çevirmeye ve kötü cadı zanaatını koymaya çalışıyor. Kötü büyücünün, uygulanması için iyi kalpli bir çocuğa ihtiyaç duyulan kurnaz bir planı vardır. Böyle bir çocuk buldu ve onu hileli bir şekilde kendisine çekti. Seçim, annesi manav ve babası kunduracı olan Jacob'a düştü. Büyücü, çocuğun kendisiyle işbirliği yapmayı reddetmesini kabul etmedi ve onu bir cüceye çevirdi. Jacob, yeni çirkin görünüşü yüzünden çok şey yaşamak zorunda kaldı ama kalbi aynı türden kaldı. Aşk ve dostluk, her zaman olduğu gibi, kahramanların cadı ile başa çıkmasına ve mutluluğu bulmasına yardımcı oldu.

Anna loses her son and husband to war. Her grief-stricken life undergoes a sudden change when three children, tasked with helping the elderly in the city, begin visiting her.

Saving the soldier, nurse Polina gives her blood, after which both are sent to the hospital. A week later, Fyodor calls Polina his wife and goes to the front. Returning home many months after the Victory, Fedor learns that Polina gave birth to a daughter, lived in his house for a while and left without waiting. Unable to find her, Fyodor marries someone else. And Polina continues to search for her husband.…

This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

Based on the play of the same name by Isidor Shtok. The author described this work as a prehistoric documentary drama, while audiences recognized it as a comedy. Isidor Shtok wrote Noah’s Ark as a continuation of his Divine Comedy. This production preserves a good-natured tone, which at times shifts into satire through numerous parallels with contemporary life.

Planet Earth is visited by an extra-terrestrial named Gum Gam.

This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

After a drunkard crashes his tractor for the upteenth time, the chairman of his collective farm decides to scare some sense into him and announces that he has been sentenced to die.

Divorced Maria and married Ofelia work as ladies' masters in a Moscow hairdressing salon. Ofelia often complains to her friend about her philandering husband. Maria has no one to complain about - she lives alone and is not bored. To reconcile Ophelia and her husband, Maria often visits Ivan at the zoo, where he works as a zookeeper, and gradually becomes attached to him. The sedate and positive Maria has much more in common with Ivan than the capricious and flighty Ophelia.

A group of police detectives are trying to prevent shipping abroad of stolen art valuables.