Floria Bloise

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

As an anonymous man, Fermin leaves his underground hideout in the subway. The dictatorship in the country is followed by democracy, but the bright light of it blinds Fermin: he is displaced. At the police station, his anonymity is complete and he doesn't remember his own name. He is fitted with a past of 13 years of illegal political opposition from the police archives. When he keeps silent about the crimes of the dictator regime, he will be a free man. The woman he promised to marry, doesn't recognize him anymore, and thinks he is dead.

A young boy travels by himself to reach his sick mother.

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

It was the Winning Project of the INCAA Contest on the crisis in 2002. Very black humor to tell a time that today evokes memory.

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Two young men steal an Egyptian mummy and are pursued by an Egyptian assassin who wants to return the relic to his country, by a paleontologist, by two police officers, and by the ghost of an ancient curse.

Jaime has lost his job and has to provide for his wife, son and daughter. Pressured by this circumstances, he visits his mom, who lives in an apartment he owns, to ask her to move with him so he can sell the apartment. But she is not going to cooperate. And, to Jaime's surprise, she also has a boyfriend!

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

An imaginary community is forced to watch the same film over and over again until a young couple joins a clandestine group that preserves old films.

Margarita, a single mother, falls in love with a transvestite. A violent police officer swears revenge, and Miki, the father of Margarita's child, returns home.

Upon finding out that the bank where they work will go bankrupt, some employees decide to rob one of the institution's branches.

Martín is a 35-year-old banker obsessed with his career. Having a child is not a priority for him and for his wife it is. Lucía will then appear with an eight-year-old son, the product of a fleeting relationship with Martín, who will resist accepting paternity outside of his plan.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

The television comedy focuses on the daily life of an Argentine family living in the Federal Capital in the early 90s.