Rodolfo Ranni

Three women ridiculed by their husbands plan to take revenge with the intention of showing them that they are not as they say. "Las boludas" was exhibited on television under another name "Solo se trata de vivir."

A jazz-club sax player (Jack Wagner) sees his ex-lover (Tracy Scoggins) in Buenos Aires, with her mobster husband.

Cecilia ve oğlu Martín trafik kazası geçirir. Kazadan sonraki üçüncü günde Cecilia ıssız bir yolda tek başına dolaşmaktadır ve oğlundan hiçbir ipucu yoktur. Bu süre zarfında neler olduğunu hatırlayamamakta ve çaresizce oğlunu aramaktadır. Araştırmaları sırasında, vahşi avlanma olayları gibi görünen bazı polis dosyaları ile kendi yaşadığı durum arasında benzerlikler fark eder. Çember daraldıkça Cecilia bu katliamdan sorumlu olan dindar bir adamla karşı karşıya kalacaktır. Cecilia'ya göre adam bir ruh hastasıdır. Adama göre ise Cecilia bir düşmandır.

A family is taken hostage by a trio of criminals. The father is killed, and the daughter swears revenge.

A woman feels abandoned by her husband and children.

Four women decide to go together to have fun at a men's strip show. On the trip, the taxi driver pays attention to their conversation where each one tells the others her ideal of a man. Since then, he decides to pass himself off as the ideal man.

After seven years in jail, a woman is released and has to re-enter society.

Tristán plays a naive young man who dreams of marrying his girlfriend. For this he works as a home nurse during the day and, at night, as a waiter in a hotel, where he meets a charming model.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

An entomologist returns to Buenos Aires, after a long expedition in Africa. Upon arrival he finds that his wife, who had not heard from him in a long time, has remarried.

A celestial envoy comes to Earth to help solve some small conflicts between humans, related to their attitude and relationships.

An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."

The night Juan Denevi celebrates his 50th birthday in his small restaurant, a beautiful woman walks in with a baby in tow and places him in his arms.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

An influential mob boss and a cabaret star team up to increase his power.

The host of a folk music radio program risks his life by reporting on clashes between police and guerrillas.

A man's terminal illness disrupts the happiness of his marriage.

Margarita (Claribel Medina) is a woman who due to the twists and turns of life must take charge of a goal without having much idea of ​​the trade. She arrives accompanied by her son León (Nicolás Cabré). In his new life, he will have the help of Beto (Miguel Ángel Rodríguez), the manager of the building across the street, a noble man who lives in an eternal relationship crisis.