Lotti Huber

After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.

Neurosia is the autobiography of the director Rosa von Praunheim. The movie begins with Rosa presenting his autobiography in a movie theater. Before the film begins, he is shot. But - his body gets lost. A female journalist from a TV station begins researching the life of Rosa. In the course of the movie she speaks to lots of aquaintances, shows short clips from Rosas old movies. Her main aim is to provide sensational and shocking details from Rosas life. It turns out that nearly everybody had some reason to kill Rosa. At the end of the movie, she discovers Rosa at a boat where he is kept prisoner by some of his old enemies. She frees him, and the movie ends.

Hámos' fascination with the cultural mythology of the hero culminates in this witty, elaborately crafted drama, which was produced for European television. Hámos intercuts two parallel narratives to tell his story: a cartoonish, campy science fiction adventure, shot on video; and an elegant, cinematic political thriller, shot on film. Hámos blends the two genres into a tragicomic tale of the role of heroes, their immortality, and the catharsis of a heroic death. The science fiction melodrama features a comic book superhero, Hurry Cane, who saves the earth from the evil Emperor Argon; in the film noir, hired killers have a contract out on the hero Cane. Hámos' analysis of the myth of the hero is articulated in his collusion of the two stylized dramas and their contrasting representational modes..

A film about drug addiction and prostitution in Berlin that focuses exclusively on "show values" and mixes its completely implausible story with plot elements from relevant sex films. A lurid mixture of schoolgirl report and smear melodrama from the Karl Spiehs smithy.

Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for ...seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 - along with all the other patients - it is only to plunge into the horrors of World War I.

A Berlin woman in her early thirties is trying to handle her psychological problems and childhood trauma with the help of her psychiatrist. She is ashamed and overwhelmed by her masochistic sex fantasies.

A fictionalized account about the lurid lives of a group of eccentric cabaret artists who have come from America to Berlin looking for social acceptance and a place to give full reign to their creative nature.

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.

Feature film.

Shot in a neo-expressionist style, the film is a satire on cults of any kind. The plot follows Frankie and Hannes, a young gay couple living in Berlin. One is studying art and the other medicine. Their happy life is disrupted when Frankie attends a lecture and quickly becomes involved in a sinister cult operating as a self-help group called “Optimal Optimism”. Madame C, a former Nazi party member, is the leader of Optimal Optimism. When the cult members discovers that Frankie is gay, he is repeatedly raped by both men and women of the group. Hannes must find a way to rescue him.

After an assassination attempt, a mannequin ends up by chance with a castle owner who, due to an allergy, is confined to a room in the tower, where she collects commercials from around the world via video. Mysterious murders and eerie figures make it difficult for the young woman to distinguish between reality and dreams.

A staged documentary by Berlin’s Rosa von Praunheim, who gathers five women who came of age in the 1930s—ranging from a lesbian-feminist journalist to a pro-Hitler housewife—for a week in a small apartment to see what will happen.

A satire about corruption, about big and small crimes: The noble clochard Maxwell, the unsuccessful film producer Harry and the unemployed actress Wally are anything but kissed by luck. But that changes when the three get in the way of a corporation, who, with the help of bribed politicians, tries.

Two pilots fly newly hatched chickens from Germany to Egypt. One of the chickens causes a stir.

The Harald Schmidt Show is a German late night talk show hosted on Sky Deutschland by comedian Harald Schmidt. The show first aired from 5 December 1995 to 23 December 2003 on Sat.1. Schmidt then moved his show to Das Erste as Harald Schmidt and Schmidt & Pocher, but he returned to Sat.1 on 13 September 2011. After cancellation on Sat.1, the show continued on Sky Deutschland in September 2012.

A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.

RTL Samstag Nacht was a comedy show, which ran from 6 November 1993 to 23 May 1998 on the German TV network RTL. RTL Samstag Nacht was the first major comedy show in German television, created after the example of the long-running American show Saturday Night Live and broadcast late on Saturday night. It helped comedy in German television to a breakthrough and was a model for several later comedy shows. Karl Ranseier was a recurring character featured in fake news reports telling about his death at the end of each episode. The name Karl Ranseier has become a catchphrase in Germany that has led to its own joke category of Ranseiers which are in widespread usage outside of the comedy origin.

A "children's birthday party" for adults. Each show featured a celebrity guest who had to take part in crazy, silly and often deliberately "moronic" games. Both presenters had to compete against the respective guest in various games.

Hals über Kopf is a German television series.

The series "Achterbahn" is about friendships and the handling of difficulties and problems from children's everyday lives.