Hollis Frampton
Yönetmen · 1936 – 1984 · Wooster, Ohio, USA
Hollis Frampton is known for the broad and restless intelligence he brought to the films he made, beginning in the early '60s, until his death in 1984. In addition to being an important experimental filmmaker, he was also an accomplished photographer and writer, and in the 1970s made significant contributions to the emerging field of computer science. He is considered one of the pioneers of what has come to be termed structuralism, an influential style of experimental filmmaking that uses the basic elements of cinematic language to create works that investigate film form at the expense of traditional narrative content. Along with Michael Snow and Stan Brakhage, he is one of the major figures to emerge from the New York avant-garde film community of the 1960s.
Filmler5
Film7.8BelgeselA compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Film8.4BelgeselA film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
He Stands in a Desert Counting the Seconds of His Life
1986 · 10 votes
Film5.4DramIn a Lower Manhattan industrial loft, a camera very slowly zooms into a photograph on a wall while various people occasionally enter and exit.
Wavelength
1967 · 102 votes
Film7.5BelgeselGrand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.
Grand Opera: An Historical Romance
1979 · 6 votes
Film6.5BelgeselJoyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We said we were going to make a film about each other - and we did”. A & B in Ontario was completed eighteen years after the original material was shot. After Frampton's death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators shoot each other with cameras.
A and B in Ontario
1984 · 7 votes