Ruth Springford

Müzik profesörü John Russell, eşi ve kızını bir trafik kazası sonucu kaybeder. Aylarca bu kazanın etkisinden kurtulamayan Russell, acısını unutabilmek için bir üniversitede dersler vermeye başlar. Kısa süre sonra da sessiz ve sakin bir çalışma ortamı için yeni bir ev arayan Russell, yıllardır boş duran ve kimsenin yaşamak istemediği büyük bir malikaneye taşınır. Kendisini müzik derslerine ve piyanoda yeni besteler yapmaya veren John Russell, çok geçmeden evin içinde yalnız olmadığını anlar. Kendisiyle iletişim kurmaya çalışan ve tüm eve hakim olan ruh, Russell'ı evin tarihiyle ilgili gizli kalmış gerçeklere ulaştıracaktır.

Bir kumar sırasında hile yapan bir oyuncu diğerleri tarafından linç edilir....

In Depression-era New England, a miserly businessman named Benedict Slade receives a long-overdue attitude adjustment one Christmas Eve when he is visited by three ghostly figures who resemble three of the people whose possessions Slade had seized to collect on unpaid loans. Assuming the roles of the Ghosts of Christmas Past, Present, and Future from Charles Dickens' classic story, the three apparitions force Slade to face the consequences of his skinflint ways, and he becomes a caring, generous, amiable man.

Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at gunpoint. Unable to let them simply wait for the law, he decides to take them into into his cellar and torture them a little before the police arrive.

Two losers rob a rich guy and discover that, among the loot, they've taken a rare painting worth $2.8 million. John Larroquette plays his usual rude, selfish character-here named Gus - and he suckers Willy (Gregory Harrison) into his scheme to rob the mansion. The two losers have to try to figure out how to sell the valuable but high-profile item without getting busted. They travel the world looking for potential buyers but always end up short. Everyone can see that they are novices in the art world and buffoons in general.

A father brings a young child to an emergency room to get treatment for a minor injury occurring in an innocent accident, but he gets accused of child abuse. Child welfare agencies commit grossly unfair over-reactions to remove the child forcibly from the Father, who must brave the arcane system to reclaim his daughter.

A look back on the career of Bobby Bittman. Includes footage from his early days to his millionth show.

A Quaker family is held hostage by a band of bank robbers and their non-violent beliefs are sorely tested. The film also questions whether their attempt at a non-violent solution actually makes things worse for themselves and their captors. Based on Stanley Ellin's novel STRONGHOLD.

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

Hawkeye and the Last of the Mohicans was set in New York's Hudson Valley during the French and Indian war in the 1750's and depicted the adventures of Hawkeye and his Indian blood brother Chingachgook, the last member of the Mohican tribe. The series based on stories by James Fenimore Cooper.

Community service police detectives navigate social and urban issues in Toronto rather than just traditional major crimes.

An attempt by NBC to emulate the success of the CBS hit The Twilight Zone, this hour-long anthology series showcased different actors, stories and creative talent each week.

Delilah is a Canadian situation comedy television series that aired on CBC Television from 1973 to 1974. Delilah is a Canadian sitcom that follows the story of Delilah, a woman who moves from the city to the small town of Egerton, Ontario. She takes over a heavily mortgaged barbershop that she inherited from her late father. While managing the barbershop, Delilah supports her teenage brother, Vince, as he completes his studies. As the town's first female barber, she faces the humorous challenges of breaking gender norms in a profession traditionally dominated by men during the 1970s.