Maria Gladys

A story about people who succeed in life thanks to nothing but their own efforts. Maria do Carmo is the main character of the telenovela; a mother of five who struggle to be successful in life, but whose most important will be recovering the love of her daughter who was kidnapped when she was just months old.

João Medeiros is an internationally renowned photographer who suffers an attack in Prague, when he happens to photograph a Nazi leader who was in the middle of secret plans. In his last moments on Earth, his life is saved by the angel Rafael, sent by the highest heavenly bodies to offer him a new chance. The angel warns the photographer that he will only have six months to live to solve his problems with his family, neglected since he abandoned everything for the profession - including solving his situation with ex-wife Naná, who now lives with the profiteer Tarsus, and get along with his two daughters. Virginia has become a renowned stylist, but blames her father for the leg problem caused by an accident she suffered as a teenager and ended her ballet career. Duda, on the other hand, developed obsessive-compulsive disorder after her son Kiko disappeared years before, putting her marriage to Maurício in a long crisis.

Fátima Accioly is a young, callous woman who wants to be rich and successful at any price. After selling her family's house in the country, she heads to Rio and gets to know dress man César who is unscrupulous himself. Meanwhile, her mother Raquel stays behind without home and money, but finally tries to find her daughter in the big city. Both women come in contact with the rich Roitman family which changes their lives forever.

With lightness and humor, the soap opera tells the story of Heloísa, a kind and hardworking woman whose life is transformed when she becomes involved with her boss's family and business partners.

Marked by tragedy, Feliciano Júnior returns to Tubiacanga as Raimundo Flamel, driven by the desire to avenge the death of his parents.

Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.

The elegant and wealthy Bárbara gives birth to a stillborn child, but never receives the bad news. Her husband, Guilherme, swaps the child's body for that of a baby whose mother is very poor and unable to raise him. Thirty years later, Eugênio, the swapped boy, suffers mercury poisoning, develops leukemia, and needs an urgent bone marrow transplant. But the surgery can only be performed with a donation from a blood relative. Faced with the risk of his son's death, Guilherme tells Bárbara the truth. With everything clarified, the two go in search of Anabel Muñoz, the boy's real mother and the only one who can save his life. Anabel kept her pregnancy a secret, but never forgot the child she had with the unscrupulous Urbano. She is the widow of the Cuban Félix Muñoz and has five other children: Valentim, Remédios, Amparo, Assunção, and Antônio.

Farmer Selena is a strong-willed young woman who won't rest until she uncovers a secret kept by her mother Camila: the identity of her father.

Set in the fictional city of Maramores, the plot centers on the character of Lívia, whose destiny begins to be shaped in the 12th century when the vampire Boris falls madly in love with her and decides to win her over at any cost, regardless of time or place. In medieval times, Lívia is Princess Cecília, Beto is Count Rogério, and Boris is Duke Boris. The present-day story begins with the introduction of Lívia's story, her husband Beto, and their children, Zeca, Tetê, and Juninho. The family's happiness will be destroyed, just as in Lívia and Beto's past lives (Princess Cecília and Count Rogério), by the reappearance of the vampire Boris. He wants to reclaim Zeca, who is not actually Lívia and Beto's son, but his son with a mistress. As soon as he was born, while still in the maternity ward, Boris placed Zeca in the place of Lívia's true son.

The plot revolves around a love triangle between Rosemere, Rafaela, and Herbet Alvaray. They are unaware of the same man's presence in their lives and, due to fate, become friends.

Frustrated in their relationships, Claudia and Vicente meet on a trip to Colombia. Chance sparks a great friendship between them, but a kiss puts their future in jeopardy.

A cowboy narrates his 'jagunço' life of disputes, revenges, loves and deaths, through the years that he traveled central-east Brazil, in the first decades of the 20th century, while federal troops were in conflict with provincial forces.

The miniseries is an adaptation of the novel Tereza Batista Cansada de Guerra, by Jorge Amado. Born in the city of Cajazeiras, Tereza Batista, still a child, is sold by her aunt Felipa to the feared captain Justo. Collector of girls, the captain finds in Tereza someone who is not intimidated, even when she is mistreated. In her warehouse, she meets the student Daniel with whom she falls in love and surrenders. Caught in the act, Tereza kills the captain and is arrested. She achieves her freedom thanks to the intervention of lawyer Lulu dos Santos and begins to be courted by Colonel Emiliano. At this stage, she knows tranquility and security. But the colonel dies and she has to go to the house of Veneranda, the local pimp. All this misfortune happens while Tereza waits for the time to realize her big dream: to live alongside the fisherman Jereba, who disappeared from her life. Close to marrying Almério, a good man and settled in life, she meets Jereba, her true love.

Donato Menezes, a renowned art restorer from Copacabana is also a serial killer obsessed with women in their bridal gowns. His crimes follows the same pattern: he seduces and then kills the victim during the sexual act, always when they're wearing the gown.

When accused of disobeying Church norms and having his priestly rights suspended, Father Cícero intensifies his political activity in fulfilling his pastoral mission.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

Four friends who only think about enjoying life, with big parties, women and drinks, are surprised by an eviction. In need of money, the group is forced to think about what they hate most: working! Confusion arises when everyone looks for an easy way to get money, with minimum effort. The days pass and the hilarious confusion only increases!

Malu is organising a gender-reveal party for a pregnant influencer – while dealing with her own grief, her persistent constipation problems and her adolescent transgender child (who disapproves of her job commission). At the condominium where Malu lives, some strange phenomena are unleashed in the home’s most private zone: the bathroom.

Experimental film, guided by the feeling of oppressive, paranoid, obsessive life of its characters. An essay on the oppression and dehumanization of the Brazilian people.

Successful manager is haunted by a sinister character who enters his dreams, Dr. Moura Brasil.

Roberta is an employee of the Civil Police of Rio de Janeiro who infiltrates an energy realignment clinic to investigate the mysterious death of actress Antuérpia Fox. During the course of the investigation, Roberta will have to deal with the dramas of actress Natasha Ferrero, who is being "cancelled" on the internet, and with the reunion of her great love from the past, the federal police officer Rodrigo, who is investigating a suspicion of international trafficking involving the same clinic. For this mission, she will have the support of Isabela, her therapist, with whom, little by little, she forms a great duo.

Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.

Marta, a young mother, hardly believes when she hears her young baby speak. She tries to convince the other people in the family of the fact, but soon discovers the baby only speaks with her, even in English.

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.

French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.

On the porch of a farm, a woman tells stories while cutting and sewing scraps of cloth, creating images that form a towel. There are four stories of humor and magic. The fisherman's wedding with Iara, a mermaid from the rivers. The altar boy of a church that sees the procession of souls. The encounter between a Santa Claus in a store and a street boy and the adventures of Zé Burraldo, a naive guy who always lets himself be carried away by others.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

Apolônio Brasil was a pianist at a famous nightclub in Rio de Janeiro, from the 1950s until his untimely death. Quite a character, Apolônio was loved by women and idolized by his audience and friends. His contagious joy attracts the attention of American scientist Dr. Boris Lewitsky, who comes to Brazil in order to interview Apolônio's close friends and make them a most unusual offer concerning the remains of the late musician.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

Adaptation of the series shown in 1992. A sequence of crimes in the same style intrigue: a man walks with a woman on the beach; she dresses as a bride and is brutally strangled in the middle of the act of love. To prove the authorship of the crimes is the great challenge of detective França.

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.

When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.