Catherine McLeod

The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.

The High-Sierra adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Henry Garth, the Grainger brothers, and Colonel Alan MacKenzie. It is the setting for a variety of stories, many more based on character and relationships than the usual western.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Dick Powell's Zane Grey Theatre, sometimes simply called Zane Grey Theatre, is an American Western anthology series which ran on CBS from 1956 to 1961.

Marcus Welby, M.D. is an American medical drama television program that aired on ABC from September 23, 1969, to July 29, 1976. It starred Robert Young as a family practitioner with a kind bedside manner and James Brolin as the younger doctor he often worked with, and was produced by David Victor and David J. O'Connell. The pilot, A Matter of Humanities, had aired as an ABC Movie of the Week on March 26, 1969.

Gunsmoke is an American radio and television Western drama series created by director Norman MacDonnell and writer John Meston. The stories take place in and around Dodge City, Kansas, during the settlement of the American West. The central character is lawman Marshal Matt Dillon, played by William Conrad on radio and James Arness on television.

Alcoa Presents: One Step Beyond is an American anthology series created by Merwin Gerard. The original series ran for three seasons on ABC from January 1959 to July 1961.

The Outer Limits is an anthology tv series of self-contained sci-fi-horror stories, sometimes with a plot twist at the end.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Private Eyes Tom Lopaka and Tracy Steele are based out of Hawaiian Village Resort where they work both hotel security and are hired by others to look into various matters. They're helped by their trusty right-hand man Kazuo Kim who runs a taxi company and is always eager to help them.

Bronco is a Western series on ABC from 1958 through 1962. It was shown by the BBC in the United Kingdom. The program starred Ty Hardin as Bronco Layne, a former Confederate officer who wandered the Old West, meeting such well-known individuals as Wild Bill Hickok, Billy the Kid, Jesse James, Theodore Roosevelt, Belle Starr, Cole Younger, and John Wesley Hardin.

Richard Diamond, Private Detective is an American detective drama which aired on radio from 1949 to 1953, and on television from 1957 to 1960.

State Trooper is an American crime drama set in the 1950s American West, starring Rod Cameron as Rod Blake, an officer of the Nevada Department of Public Safety. The series aired 104 episodes in syndication from September 25, 1956, to June 25, 1959.

An anthology series adapted from the radio program of the same name. Like the radio program, many scripts were adaptations of literary classics by well-known authors. Classic authors such as Edgar Allan Poe, Agatha Christie, and Charles Dickens all had stories adapted for the series, while contemporary authors such as Roald Dahl and Gore Vidal also contributed.

The Public Defender is a half-hour 69-episode television dramatic series starring Reed Hadley as Bart Matthews, an attorney for the indigent. The series aired on CBS from March 11, 1954 to June 23, 1955, a season and a half.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Alcoa Theatre is a half-hour American anthology series telecast on NBC at 9:30 pm on alternate Monday nights from October 7, 1957 to September 16, 1960. The program also aired under the title Turn of Fate, with the stories depicting the difficulties faced by individuals who are suddenly thrust into unexpected and perilous dangers. Alcoa Theatre was syndicated together with Goodyear Theatre as Award Theatre. In 1955, The Alcoa Hour premiered in a one-hour format aired on Sunday nights, but it was reduced to 30 minutes, retitled Alcoa Theatre, and moved to Monday evening in 1957. The show employed an alternating rotating company of actors: David Niven, Robert Ryan, Jane Powell, Jack Lemmon and Charles Boyer. Each appeared in dramatic and light comedic roles through the first season.

A top fashion model seeks justice after getting sexually assaulted by her teenage sister's obsessive music teacher.

Oscar ödüllü Elizabeth Taylor, Lassie adındaki Collie köpeğini yavruluğundan itibaren çiftlik koruma köpeği olarak yetiştiren bir kızı oynuyor. Ama Lassie'ye bir araba çarpıp hafızasını kaybedince, II. Dünya Savaşı'nda Japonlarla savaşmaya gönderilir. Savaştan döndüğünde Lassie vahşi ve tehlikeli bir köpek olmuştur ve yerli halk öldürülmesine karar verir. Lassie'nin savaşta öğrendiği vahşi davranışlarını düzelten ve onun hayatını kurtaran kişi ise onu yetiştiren bu kız olacaktır.

On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.

Tammy leaves the river in Mississippi to attend college, developing a relationship with Tom Freeman (John Gavin). Sandra Dee replaces Debbie Reynolds in this and the third Tammy movie. This film introduces both a new theme song, "Tammy Tell Me True", and the character of Mrs. Annie Call, played by veteran Beulah Bondi. Mrs. Call ultimately moves in with Tammy at the Ellen B. and would be the catalyst for the events in the following film, "Tammy and The Doctor".

A beautiful young concert pianist is torn between her attraction to her arrogant but brilliant maestro and her love for a farm boy she left back home.

Whitney Cameron is in a quandary: he's attracted to his beautiful sister-in-law, Lynn, but also harbors serious suspicions about her. Her husband, Cameron's brother, died under mysterious circumstances, and now that the death of her stepchild, Polly, has been attributed to poisoning, he suspects that Lynn is after his late brother's estate, and killing everyone in her way.

A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.

A group of friends go to Hawaii during the height of surfing season, to compete with other surf bums and find girlfriends along the way.

Idealistic and naive Dr. Jason arrives at a school for delinquent girls and immediately begins to try to make a difference in the lives of some of the inmates. Oblivious to the sadistic treatment of the girls by the matrons, it takes a rebellious girl named Loretta to open his eyes. Assisted by a female staff member, Jason finally gets proof of the abuse and threatens the head of the school with exposure unless he is given full rein to run things.

Thanks to the chicanery of his crooked uncle Major Cosgrave, Jet has been cheated out of his father's property and branded a pariah. He spends the rest of the film trying to regain his birthright and clear his name. The two women in Jet's life are Judy Polsen, who chases him for so long that he finally catches her, and Alice Austin, Major Cosgrave's fianee.

When a man confesses to his wife that he has been unfaithful, she imagines all the different ways that historical figures such as Cleopatra and Joan of Arc might handle the situation.

A history of Republic Pictures studios, featuring hundreds of clips plus on-camera interviews with stars, director, stuntman, etc.

Also known as California Outpost, Old Los Angeles stars Bill Elliot in one of his expanded-budget Republic "specials." The film is set during the early statehood days of California, with Elliot keeping the peace and warding off plunderers and marauders. As always, Elliot is a "peaceable man"--until he beats the tar out of those who rile him. The problem with Elliot's more expensive Republic vehicles is that action invariably took a back seat to plot, romance, costumes and decor. Within a year of Old Los Angeles, Elliot started a more austere, less prettified and far superior western series.

Based on the long-running comic strip, this pilot for a proposed daily 15 minute television serial tells the story of heroine Juliet Jones and her family: loving father Howard and immature sister Eve.

A young woman who has been stricken with infantile paralysis gives up hope and is trying to "will herself" to die. A doctor who has been conducting experiments with patients with paralyzed nerves is convinced he can cure her.

Three escaped prisoners return to the site of a robbery to find the stolen money that was never recovered. Western.

An enemy of the Count of Monte Cristo frames his son for a murder in order to exact revenge and steal the family fortune.

Service comedy illustrating U.S. Army corporal's brief encounter with WAC unit.

A couple of Confederate soldiers, returning home from the Civil War, find Texas transformed into an armed camp with a quasi-dictator gathering up land and power as fast as he can. The two former Rebels take on this despot each in his own way.