Tomás Sáez

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

Pelayo is leaving to work for his uncle Lorenzo and to find a nice girl to settle down with. Pelayo arrives to find out that Lorenzo's "business" is in fact a male strip show and Lorenzo's dancers are a laughing stock. Lorenzo has all his money tied up in his wedding with ex-prostitute Palmira. With Pelayo arriving life turns upside down. Can Lorenzo keep his infidelities a secret and his crew off the streets? Can Pelayo keep from falling for a prostitute on his way to finding a wife?

When the retired seventy-seven years old hypochondriac widower Fred moves to an apartment in Madrid, his temperamental daughter Cuca has an incident with his next door neighbor, the elder Argentinean Elsa. Later, they meet each other and Elsa seduces Fred with her reckless behavior and view of life and they have a romance.

In an odd destiny coincidence and hospital employee reiceives some important and confident information from a dying old man. He shares it with one friend and both start a crazy and extravangant adventure.

A painter becomes obsessed and begins an affair with a mysterious woman who was touched deeply by one of his works.

Two clumsy policemen, Kiko and Castro find during a routine patrol in the forest a dead body without feet and head. After several inquiries, they discover that it belongs to a prominent member of the union, frowned upon by the officers. To solve the case they choose Elias, an agent with little experience who will investigate the case with the help of Conda, the medical examiner, and the clumsy agents that discovered the body.

Armando reads quietly in the semi-darkness of his office. He receives three consecutive invitations to lunch at the same time on his cell phone and landline...

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.