Mario Montez

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

1966 tarihli, Paul Morrissey ve Andy Warhol tarafından yönetilmiş bir underground filmdir. Film, Warhol'un ilk büyük ticari başarısı olup, New York'ta Chelsea Hotel'de ve çeşitli farklı mekanlarda çekilmiştir. Warhol'un birçok superstar'ının oynadığı film, otelde yaşayan birkaç genç kadının hayatını anlatmaktadır. Filmin adı, Nico'nun 1967 tarihli ilk albümü Chelsea Girl'den esinlenerek konmuştur.

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

Batman Dracula is a 1964 black and white American film produced and directed by Andy Warhol, without the permission of DC Comics. The film was screened only at Warhol's art exhibits. A fan of the Batman series, Warhol made the movie as a homage. Batman Dracula is considered to be the first film featuring a blatantly campy Batman. The film was thought to have been lost until scenes from it were shown at some length in the documentary Jack Smith and the Destruction of Atlantis.

Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

The tradition of modernism and neo-avant-garde are faced in the project, in which Radziszewski is confronting both – Polish and Western – narratives of art history. Starting from the subversive work of Natalia LL, Radziszewski raises a series of questions on issues such as gender, feminist art, conceptual art, queer and East-West relations and their impact on the art world in the context of the Iron Curtain. America Is Not Ready For This is an open archive in search of parallels between the artistic experiences of Natalia LL and Radziszewski, as well as an attempt to examine the rules of the positioning of artists in the art world, both at that time and today.

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

A follow-up to now legendary film Flaming Creatures. This vivid, full-color homage to B-movies is a dizzying display of camp that clearly affirms Smith’s role as the driving force behind underground cinema and performance art of the post-war era. The director was known to constantly re-edit the film, often during screenings as it was still unspooling from the projector.

Part of the Dirt Trilogy

The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.

Warhol and scenarist Ronald Tavel offer a brutal vision of the Hollywood casting couch with this record of ingenue Mario Montez performing a humiliating auditions for a dictatorial, unseen director.

Shot at Warhol's Silver Factory, Camp features a group of Superstars putting on a "summer camp" talent show complete with singing, dancing, jokes, poetry, and Gerard Malanga as master of ceremonies.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie, a liberal Republican who ran against FDR in the 1940's. The climax of the work appears to be the "auctioning" of the presidential candidate at a convention.

The John Larroquette Show is an American television sitcom .The show was a vehicle for John Larroquette following his run as Dan Fielding on Night Court. The series takes place in a seedy bus terminal in St. Louis, Missouri and originally focused on the somewhat broken people who worked the night shift, and in particular, the lead character's battle with alcoholism.