Edie Sedgwick

Bu filmde Jonas Mekas, büyük pop sanatçısı Andy Warhol’un değil aynı zamanda onun etrafındaki sosyal ve kültürel coşkunun, uyuşturan Velvet Underground kalp atışlarının izini sürüyor.

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

A years-in-the-making documentary on the legendary punk band the Ramones. Through a mixture of archival footage, archival and new interviews with all members of the band's various lineups, and new interviews with a number of their contemporaries, the film traces the peaks and valleys the band experienced over the course of its 20-plus year career before disbanding in 1995.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

Son derece rekabetçi bir dünyada Adderall gibi ilaçlar öğrencilere, sporculara ve diğerlerine daha iyi ve daha hızlı olma fırsatı sunar. Peki ama bunun bedeli nedir?

On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

The Velvet Underground's first public appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, beautiful and revealing portraits of hundreds of different individuals, from Warhol superstars and celebrities to friends or anyone he thought had "star potential". All visitors to his studio, the Factory. Subjects were captured in stark relief by a strong keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word. Songwriters Dean Wareham and Britta Phillips, formerly of the band Luna and currently recording as Dean & Britta, incorporated original compositions as well as cover songs to create new soundtracks for the 13 films.

This compilation of Gerard Malanga's short films consists of a collection of extremely rare footage and film portraits providing candid and interesting glimpses of Bob Dylan, Salvador Dalí, Jane Fonda and The Velvet Underground among other 1960s icons and featuring original music by Angus MacLise, who was the first drummer to perform with The Velvet Underground.

Icon of pop art, Andy Warhol has marked the 20th century. This film pays tribute to him with the exceptional participation of Ultraviolet, never-before-seen images of the "private" Warhol and archival documents from the Velvet Underground, Mick Jagger, David Bowie, Truman Capote.

Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

The film begins with a close-up of a table in a restaurant covered with a checkered cloth, in a composition that strongly suggests a still life. It lingers there for a long time before beginning a slow outward zoom. All the while we overhear poorly recorded snippets of conversation. We see hands move in and out of the frame, lifting glasses and tapping cigarettes. We recognise Edie Sedgwick by her signature dancer's tights and jewellery. The group discuss a recent trip to Tangier; the conversation returns frequently to past and upcoming travel. At one point, a whole, uncut pineapple is delivered to their table, despite the fact that they are in an Italian restaurant: it is not meant to be eaten, but to evoke the possibility of adventure in exotic, semi-imaginary lands.

Warhol Superstar Ultra Violet (Isabelle Colin Dufresne) and Lower East Side Icon Taylor Mead (Poet/Actor/Artist) share their stories of Manhattan in the 1960s.

Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.

New York, June 3, 1968. Valerie Solanas enters the Factory, Andy Warhol's studio, and fires three shots at him, who miraculously survives, but is seriously wounded. What led this woman to try to kill the famous pop artist, as well as to write a manifesto calling for the eradication of men?

He was a pioneering artist and cultural icon and his work is a history of 20th-century America. A country reinventing itself as seen through an artist's eye. 3 part documentary looking at 20th century America through the life of Warhol.