Anna-Marie Wayne

In 1978 Jeff Wayne composed and produced one of the most ground-breaking and bestselling musical works of all time. In 2006 Jeff Wayne's Musical Version of The War of The Worlds took to the stage with audiences and critics hailing it as one of the most innovative combinations of music, technology and live performance. Now in 2013 The New Generation production is launched . With an all-star cast including Liam Neeson, Marti Pellow, Jason Donovan, Kaiser Chiefs' Ricky Wilson, Jetblack's Will Stapleton and Wicked's Kerry Ellis, plus stunning new 3D holography and a 3-ton 35ft Martian Fighting Machine, it's truly a musical multi-media extravaganza. Filmed Live at London's O2 Arena, Jeff Wayne's Musical Version of The War of The Worlds is a show not to be missed!

The live version of Jeff Wayne's 1978 bestselling album was brought to the stage in 2006 as part of a sell-out tour of the UK. Filmed at London's Wembley Arena, and using a blend of theatre, music and visual imagery, the production incorporates performers from the original recording, including Justin Hayward, Chris Thompson and Wayne himself. There's also audio and visual elements featuring Richard Burton, as well as the ten-piece Black Smoke Band and the 48-piece Ulladubulla Strings.

When John Spears (Paul Conway) is arrested on suspicion of murdering his neighbour, detectives Kenosha (Jenny Agutter) and Frett (Jeremy Bulloch) are brought in to investigate the crime. As she spends time with the uncommunicative Spears, Kenosha becomes darkly fascinated by the suspect and soon realises there is much more to the case than meets the eye. Delving into his past, she discovers a man traumatised by a lost love and events so shocking that he can barely speak of them. When she is warned off by an American security firm, Spears retreats into his own world once more and appears to be a man on the edge of insanity.

It's the 1980's and a group of typical horror movie high school kids are getting together to hold a séance in a haunted house. Naturally, people start dying preposterously bloody deaths, girls are getting naked for no apparent reason and people walk into pitch black rooms and say things like "Is someone in here?" Will any of these poor, hapless kids survive? Or will their bodies fill the house with blood and...well, you know!

A young serial killer preys on families during lightning storms.

Wanted for helping the IRA in a bombing gone horribly wrong, a fugitive is smuggled into the San Francisco harbor. In order to hide here, and to lose all vestiges of his Irish past and disappear; into the new American identity, Sean soon finds himself at the mercy of one of his captors, intent on using him in as series of hackneyed drug deals to make money. Sean searches desperately for a way out, but everyone seems to have their own motives with him. As his past and future seem to disappear, Sean is left with little hope of a way out.

Described as "Angela Carter rewriting La Belle et la Bête as an episode of Buffy the Vampire Slayer", the story follows, through a tapestry of dreamlike images, a girl (Sarah Livingston Evans) and her three friends—the characters' names are never revealed—as they find themselves stranded in a dark and surreal forest by someone—or something (Edward Gusts)—who has obsessively loved, watched, and waited for the girl ever since childhood.

The Upper Hand is a British television sitcom, produced by Central Independent Television and Columbia Pictures Television and broadcast by ITV from 1990 to 1996. The programme was adapted from the American sitcom Who's the Boss?. As in the former series, an affluent single woman, raising a son with the help of her mother, hires a housekeeper only to have a man apply for the job.