Dahn Ben Amotz
Senarist
Filmler5
Film7.6DramGerilimTennessee Williams'ın oyunundan uyarlanan ve gösterime girdiğinde yeri yerinden oynatan film, kaba saba işçi Stanley ile evli kız kardeşini ziyarete gelen Blanche adlı bir kadının, buradaki ilişkilerin yönünü değiştirmesini konu alıyor. Missisipi'de okul yaşındaki bir delikanlıyı baştan çıkarttığı için başı derde girmiş olan yaşça geçkin ama çekici Blanche DuBois, New Orleans'ın Fransız mahallesinde yaşamakta olan hamile kızkardeşi Stella'nın yanına gelir. Tek arzusu kendine yeni bir yaşam kurmak ve herşeyi geride bırakmaktır. Oysa Stella'nın kaba saba bir delikanlı olan kocası Stanley Kowalski, Blanche'ın güneyli nezaketinden hiç hoşlanmamaktadır. Sürekli taciz edilen Blanche'ın Stanley'le yüzleşmesi epey şiddetli olacaktır.
Film6.7DramSavaşAri Ben Canaan, a passionate member of the Jewish paramilitary group Haganah, attempts to transport 600 Jewish refugees on a dangerous voyage from Cyprus to Palestine on a ship named the Exodus. He faces obstruction from British forces, who will not grant the ship passage to its destination.
Exodus
1960 · 239 votes
Film6.7DramStory of a war-widow pressured by her friends to behave in the role of the heroic widow, and the journey she takes in a country of people under siege.
Film5.4DramAnne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?
Film6.0KomediA comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.