Erika Bodnár

13 yaşındaki Lili’nin annesi ve babası ayrı yaşamaktadır. Annesinin bir seyahate çıkması üzerine, Lili köpeği Hagen ile babasının evine yerleşir. Ancak Macaristan’da yeni çıkan bir yasa gereği melez köpeklerin sahipleri tarafından evde beslenmesi zorlaşmıştır. Lili’nin babası Hagen’i istemez ve onu sokağa atar. Artık Hagen için hiçbir şey eskisi gibi değildir; diğer köpeklerle birlikte insanlara savaş açar.

A musical farce about women in the canning factory. The pretty Brigitta tries to commit suicide, because Laci left her, pregnant, but her mates save her.

An atmospheric, sub-hallucinogenic venture into the world of the unknown. The enigma facing a young woman is the identity of her father. Unfortunately for her, she becomes drawn into a small Romanian underworld of brooding menace, darkness, torture chambers, and vampires.

Three thirtysomething chemical scientists, Laci, Gyuri and Kati celebrate the success of their development program before New Year's Eve with drinking for several days. But the morning of New Year's Eve does not bring the expected recognition, because the nice, bald, old director is replaced by a young, bald, but disagreeable one. In a sodden atmosphere it becomes clear that everybody has an axe to grind in the informative discussions.

The film takes place at the end of 1946. Rumours are spread that the food supply will not arrive for it has been robbed. Workers of the metal factory go on strike.

Győző is a 38-year-old insurance agent. At a playground, he gets acquainted with the 40 year old Gábor, left by his wife, and with a career as an opera singer in pieces.

"Don't give up your dream" - this is how Demjén Ferenc's song goes and Gyuri darts along the endless fields on a white horse. The young crane-operator lives in a small larder-room, where he has to hang his chair on the wall and the tap drips. He has to share his mornings with his two dream "man-hunters", his father and his brother, who feel that he does not belong to them because of his desires and ambitions.

In this dense setting, the inhabitants of a large, claustrophobic apartment reveal their darkest secrets, fears, obsessions and hostilities.

Karcsi, a Roma policeman, lives with Eva, a Swede. One day he is called to the scene of the murder of a wealthy trafficker named Schulter. He begins to investigate the crime, interrogate neighbours and suspects, and untangle a complex situation - one that he, himself, complicates even further. For he is a gypsy, who despite being adopted and raised by "regular" Hungarians, has his nose rubbed in his minority status every day. The film, which is based on the novel by Ákos Kertész, is a shrewd genre work full of dusky humour and surreal situations. Tabló follows a vivid succession of strange images that eventually lead to the emergence of the central story about a charismatic police officer on a tireless quest for the truth, though he must fight against virtually everyone and is just as fallible as the next person. Tabló makes a statement on the issue of race and racism - or, indeed, relations between any minority and majority.

The story is set in the present day. László Sziráki, a womanizer and chemistry professor, is searching for the secret of making gold, but one component is missing. He wants fame and a solution to his financial problems. When he meets Esthena, an eccentric philosopher who wants to lose her virginity, he succeeds in turning plastic into gold. But he, a shrewish and shrewd man, does not recognise the exceptional nature of this encounter and pushes her away. Sophika, the wise grandmother of Syracuse, also meets Esthena: she sees her as a kindred spirit and assigns her to her grandson. But in the meantime, Mr. Maci, Esthéna's bumfordian and buffalo-loving gladiator knight, who will do anything for the girl, begins to pursue the alchemist out of jealousy. Will Syracuse find the answer to the alchemist's question? And is making gold even important?

Miklós Mészöly's short novel Film aims to show the last few hours of an elderly couple's life. The last moments of two people who, in the midst of historical storms, inhumanity and loss of values, remained together in the strange grip of love and dependence. The most moving is the formulation of the fundamental question: can we and can we say goodbye with dignity, how much we are lost and vulnerable when we set off into the unknown.

1991, farewell in Budapest. Mária remembers the past in tears. Her husband, Tibor, a chemist and a target of the KGB, left their apartment one evening to fetch some cigarettes only to be found drowned in the shallow Lake Balaton the following day. Their son, Peter, a student in Western-Europe, was found dead on the Danube embankment.

After his divorce, Bóna Péter, a beginner film director needs a bigger amount of money to settle his financial problems with his ex-wife. He travels to Pécs to see Sárika, an old veteran. He has not seen his aunt for a long time, and she receives him very friendly, but she flatly refuses to lend him any money.

The film, paying a tribute to the memory of Endre Ságvári, a Communist hero, goes back to the summer of 1944. Through Colonel Gombos-Götz who has recognised that the Nazi-Germans will be ultimately defeated, Ságvári, the leader of the Young Communist Workers' Association asks Csiszár, the commander of the barracks in Andrássy street to provide him with guns to help release the Communist prisoners in Tata.

One day Novák Erzsébet kindergarten-teacher destroys her papers, cuts her hair and closes her mouth forever. She prepares for suicide namelessly, then somewhere around Normafa she accepts being taken into an asylum.

A divorced middle-aged woman takes home an ardent suitor, only to discover that he prefers her teenage son. The mother is an overworked coffee-shop attendant, the suitor turns out to be a plain-clothes policeman and the boy is a frustrated flautist.

The film takes place in Budapest in the 1920s. The teenage Rózsa Béla, the son of a washing-woman and a salesman born out of wedlock, gets employment as callboy in a luxurious hotel.

Frigyes, shortly after immigrating to New York City from Hungary, leaves his family for the pleasures and gratifications of being a street bum. But as time goes by, the appeal of this lifestyle wanes. A series of adventures with other drifters reaches a dramatic conclusion when some thugs murder one of them. This startling event forces Frigyes to come to terms with his current situation and decide whether to return to the family he abandoned.

This sensitive and ironic film points up two girl-faces: Vera is happy, but cold, while Borika is tired, but warm-hearted.

The rise and fame of Sándor Rózsa, the infamous outlaw of 19th century Hungary.