Everett Burrell

Filmler10

• Film7.0

  KorkuDram

  Savaş sona ermiş ve kaybedilmişti. Yürüyen ölülerin elinde dünya, artık tamamen kontrolden çıkmıştı. Bazı küçük gruplar halindeki az sayıda yaşayan insanlar, zorda olsa hayatta kalabilmişti. Bu arada bir grup bilim adamı ve asker, Florida'ki terk edilmiş bir silah silosuna sığınmıştı ve grup,kana susamış zombileri kontrol altına alabilecek çılgın bir deneyle uğraşmaktaydı. Ekibin tansiyonu askeri liderlerden birinin, kendi emrindeki adamlarından bazılarının bu deneylerde kobay olarak kullanıldığını keşfetmesiyle doruk noktasına çıkar. Bu sırada yukarıdaki zombilerin, sığınağa sızmanın bir yolunu bulmaya çalışmaya başlamasıyla sinirler iyice gerilir. Yeraltında yapılacak bu son savaş, dünyanın bildiği en karanlık gün olacaktı: Ölülerin günü. "Ölülerin Şafağı"nın kaldığı yerden devam eden ve gene bir külte filminde, Romero yeni bir grup insanın hayatta kalma mücadelesini, önceki iki filmden çok daha da kanlı bir şekilde anlatıyor.

  Day of the Dead

  Zombi - Ölüm Günü

  1985 · 1.5K votes

• Film7.2

  BelgeselKorku

  Whenever a solid "brain trust" around creature assembly exists, then the process behind crafting these monsters must've been interesting. This 13-minute featurette captures the process of crafting the concepts for the monsters, from the models assembled for the primary ideas to the separation of computer and realistic tangible effects. KNB effects did some really strong work here, even in the small ways that purely give actors inspiration for their performances.

  Monsters Among Us: The Creature FX of 'The Mist'

  2008 · 4 votes

• Film7.2

  Belgesel

  The story of how one Pittsburgh boy’s fascination with monsters drove him to the very top of the Hollywood food chain. In 1989, Greg Nicotero, much to his parents’ chagrin, quit medical school and headed for Hollywood to pursue a dream of making monsters. Together with gore masters Howard Berger and Robert Kurtzman, Nicotero went on to create KNB EFX Group, one of the most prolific makeup effects studios in the world. After twenty years as the “go to guy” for the world’s most successful horror/sci-fi films, Greg Nicotero is the first one directors like Quentin Tarantino and Robert Rodriguez call.

  Nightmare Factory

  2011 · 24 votes

• Film8.0

  Belgesel

  A documentary look at the makeup, practical, and CG effects in Guillermo del Toro's 'Pan's Labyrinth.'

  El fauno y las hadas

  Pan and the Fairies

  2007 · 3 votes

• Film

  Belgesel

  The official feature-length documentary about the rise and fall of Charles Band's legendary Empire Pictures studio.

  Celluloid Wizards in the Video Wasteland: The Saga of Empire Pictures

• Film7.5

  BelgeselKorku

  A new, feature-length documentary, filmed for the Special Edition Scream Factory Blu-Ray Release of George Romero's 1985 film, Day of the Dead A small group of scientists and soldiers have taken refuge in an underground missile silo where they struggle to control the flesh-eating horror that walks the earth above. But will the final battle for the future of the human race be fought among the living or have they forever unleashed the hunger of the dead? Lori Cardille (Tales from the Darkside), Joe Pilato (Night of the Living Dead: Origins 3D) and Richard Liberty (The Crazies) star in this controversial classic with groundbreaking gore effects by Tom Savini.”

  The World's End: The Legacy of 'Day of the Dead'

  2013 · 4 votes

• Film

  Belgesel

  Behind the scenes feature for 'The Phantom of the Opera' (1989). Included on the Shout! Factory blu-ray.

  Behind the Mask: The Making of The Phantom of the Opera

  2015

• Film7.0

  BelgeselKorku

  Scene 35 can best be described as the point in which the muck hits the fan. It's a scene with unbridled chaos involving CG effects, creature models, stunts, coordination, dramatic character portrayals ... just about anything that could possibly go wrong in a scene. This feature shows how it came to be, how Darabont infused some last-minute ideas into its assembly, and how it wedged in as one of the stronger parts of The Mist.

  The Mist: Taming the Beast - The Making of Scene 35

  2008 · 1 votes

• Film5.7

  Belgesel

  The sound of flapping bat wings, an empty coffin, glistening fangs, tiny punctures on the neck, the sensual taste of blood, a blank reflection, fear of the cross, and death from daylight. These are the creatures of the night, and as legendary (but fictional) vampire hunter Abraham Van Helsing exclaimed: "Gentlemen, we are dealing with the undead!" Perhaps the most enduring film genre of all time, vampire films continue to haunt us on the big screen. Why are we fascinated with the myth of these immortal souls? Could it be the living forever part, or perhaps the fact that they have an unearthly sexual attraction to both males and females? Whatever it is, audiences around the world can't seem to get enough of them.

  Bloodsucking Cinema

  2007 · 3 votes

• Film7.0

  BelgeselKorku

  This 16-minute featurette focuses on CafeFX, the team behind the CG work in The Mist (as well as Del Toro's Pan's Labyrinth). They discuss a wide array of points, from matching models with the KNB creature crew to documentaries that inspired the designs. It's great to see a lot of the work-in-progress materials (grid assembly, texture work, etc), as it helps to appreciate exactly what pops up on screen. Furthermore, it also discusses a lot of the "mist" effects that play off of their environments

  The Horror of It All: The Visual F/X of The Mist

  2008 · 1 votes