Ignacio Rogers

Bir kadın fütursuz davranışları nedeniyle psikiyatri kliniğine yatırılınca bir uzman, onun hasta mı olduğuna yoksa sadece hayatın keyfini çıkarmak mı istediğine karar vermelidir.

Childhood friends Matías and Jerónimo reach adolescence and experience sexual attraction to each other, before being separated by circumstances. Later, as young adults, they meet again, and the film follows themes of complicated relationships and sexual tensions, as well as issues of homophobia.

Marie is a Toronto police officer. One evening, her husband Joshua and their son Nicky are brutally murdered in their car. Marie quickly links Pablo Molina, an Argentinian drug trafficker who she'd arrested a few months earlier, with the crime. In despair, Marie heads to Argentina on the tracks of the killer. A journey of revenge and a journey to come to terms with her loss.

A bellhop and a young receptionist at a five-star hotel in Buenos Aires set out at night to investigate and unravel the secrets of the guests. However the guests do not reveal very much and the two go increasingly adrift through their curiosity.

A young man becomes obsessed with a gardening student who is about to leave for Switzerland.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A particular look at the love mismatch, the unrealized ties and the possible relationships that do not come ... and the window as a way to look into other lives that may end up being your own. A look at a generation of young people living in small universes contained in the urbanity of a Buenos Aires at the beginning of the 21st century.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

As laid-off factory worker Marcos pins his hopes for a new life on completing his long-unfinished one-man play, he contacts his estranged friend Martín, now a television writer, for help. But can their collaboration transcend an uneasy past? As the men come together in the creative process, they're offered a chance to rebuild their abandoned friendship.

Alejo writes a story about a young man who wants to make his life with a lotus flower shop. Oh well, a young man wants to make his life with a lotus flower shop while writing a story. Alejo's story in a double sense: what he writes and what he is.

Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

Dir. Jazmin Lopez 2009 / S16MM / 12 Min.

Paula, a 32-year-old actress, unexpectedly stops a robbery at a café and appears on the TV and newspapers. But as the days go by and her fame fades away, we begin to see a woman who works as something else and has moved away from her profession. As Paula struggles to assume her situation, she will get in touch with some past relations. Confronting them will put her back on the scene.

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.