Carmen Montejo

Crime-y land-owner declares war on the family at the ranch next door for not having joined with him in his illegal enterprises.

Sex and middle class are the main topics in "La verdadera vocación de Magdalena". Hermosillo shows marriage as a matter of interests (economical and social) in the modern society. emphasizing the education, lose of tradition and customs in the gap generation of sixties youth and its parents. Angelica María, plays the best character in his career, being a kind and vulnerable girl raised in a hard moral education

Karısını çocukları daha çok küçükken kaybetmiştir. Ancak bundan hiçbir zaman yılmamış ve ailesini bir arada tutabilmek için büyük zorluklara katlanmıştır. Yoksul ama gururlu bir adam olan Sanchez, oturduğu gecekondu mahallesinde tüm umutsuzluklara rağmen mücadelesine devam eder... Oscar Lewis’in gerçek bir yaşam öyküsünden alınmış eserinden beyaz perdeye uyarlanan film, yirminci yüzyılın ortalarından fakirlik manzaralarını anlatıyor.

'Prisión de Mujeres' is a film by Fernando A. Rivero that narrates a harsh reality: the strength of women in a prison, how they lose their dignity and do not stop for anything.

Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.

Gangster's daughter learns about her dad's illegalist lifestyle.

For love, the rules of society and justice are broken, leading to abduction, exposing life and freedom, facing everything to make a sick child a normal child.

After a trip to Europe, Regina de Alba comes home and finds out her mother is nowhere to be found. When her step-father's criminal past becomes known, her suspicions increase.

Good son takes the blame for father's peculations and goes off to work in the rain forest to pay off Pops' debt. Meanwhile, daughter and bad son neglect their aging parents, whose fortunes decline precipitously.

A story where the Cristero Rebellion creates a story of love, passion, and betrayal. When the Federal Rosas and his lover arrive in a town, a local woman feels strangely attracted to him. The woman will surrender under the pretext that the population is liberated when in reality she wants to consummate the passion that ignites her.

Crooked lawyer runs amok, making a mockery of the legal system.

Juana, a peasant girl, is mistaken for her twin sister, Chana, whom she has never met and who is now a famous singer, and is kidnapped in her place by Chana's ex-husband.

The traumatic story of an old bourgueoise in Mexico City, his relationship with his crazy grandmother, his sexually troubled past and his sick crush on the young and beautiful maid of the house.

A former farmhand now with money, wants to buy his former boss's farm and marry his daughter, but they refuse.

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

Mischievous little girl pulls a variety of pranks for the purpose of preventing her parents from divorcing.

The film tells the intense countdown of a woman sentenced to death.

A man's on trial for murder; a friend who could prove his innocence chooses not to come forward. An interested detective starts working to discover the how-come of all of that.

Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.

A prostitute enters a brothel and establishes a rivalry faking love with the old owner.

Violeta lives with her uncle because her mother died soon after she was born and she never knew her father, she stays with her grandmother from time to time as well. Violeta has a boyfriend named Ángel who gives her a pet dog. While at her grandmother's house, Violeta discovers a time machine that her grandfather built, so she and her friends travel to different time periods. They visit several important events in Mexican history, learning these stories firsthand.

Beatriz is a respectable widow who, since her husband's death, has dedicated herself to raising her children, Vicky and Juanito, alongside her mother-in-law, Dona Emilia. Beatriz meets the powerful millionaire Enrique de Martino, who dazzles her with his attentions, and she agrees to marry him.

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.

Yulissa Torres-Quintero is a beautiful young woman from an upper social class who has been orphaned at a very young age; For this reason, she and her brother Alberto were raised by their cruel grandmother, Doña Paula Garza vda. de Torres-Quintero, who pretends to be sick to manipulate her grandchildren. After several years, Paula is ruined and penniless, so she decides to mortgage all her assets to the landowner Ignacio Aguirre, owner of the Arroyo Negro hacienda, as a last resort to survive and avoid poverty.

Juana Iris is a Mexican telenovela from 1985, starring Victoria Ruffo and Valentín Trujillo.

Serafín is a Mexican children's telenovela produced by José Alberto Castro for Televisa and originally broadcast on Canal de las Estrellas from August 30 to December 17, 1999. It stars Maribel Guardia, Eduardo Santamarina, Jordi Landeta, and features the voice of María Fernanda Morales as Serafín. The telenovela was the first Mexican production to incorporate digitally created animated characters into a live-action telenovela. The story follows Serafín, a cheerful but mischievous little angel who is sent to Earth to learn how to become a Guardian Angel. In Mexico City, he meets Pepe, an unhappy boy living with his mother, grandfather, and abusive stepfather. Determined to bring hope and happiness into Pepe's life, Serafín helps him and his friends overcome family conflicts, fear, and adversity while teaching lessons about love, friendship, kindness, and faith.

Cuna de lobos is a Mexican soap opera produced by Televisa and broadcast by Canal de las Estrellas in 1986 to 1987. The serial, about the struggle for power within a wealthy Mexican dynasty, was enormously popular in its native Mexico. It was also a hit in several foreign countries, including the United States, Germany and Australia. The soap opera starring antagonistically María Rubio as the main villain interpreting the evil "Catalina Creel", with Gonzalo Vega, Diana Bracho, Alejandro Camacho and Rebecca Jones.

Mágica juventud is a Mexican youth telenovela produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from November 30, 1992, to April 30, 1993. Created by Emilio Larrosa and written by Verónica Suárez and Alejandro Pohlenz, the telenovela stars Kate del Castillo and Héctor Soberón. The story follows Miguel, a young veterinarian who hides a troubled past after serving time in prison for his involvement with a criminal gang. Determined to change his life, he falls in love with the kind-hearted Fernanda. However, as she begins to uncover the truth about his past, their relationship is tested by mistrust, personal struggles, and the schemes of the ambitious Leonardo, who is determined to win Fernanda's heart.

Amor sin Maquillaje is a mini novela that was shown in 2007. It is a production of Rosy Ocampo, who also produced La Fea Mas Bella. The stars are Sergio Goyri and Marlene Favela; It was a tribute to the 50 years of telenovelas in Mexico.