Xosé Manuel Esperante

Ramon Sampedro’nun yaşamı, 30 yıldır bir yatakta geçmektedir. Gençliğinde geçirdiği bir kazadan sonra hayatla tek ilişkisi deniz manzaralı penceresidir. Hayatına iki kadın girer: avukat Julia ve köylü kızı Rosa. Bu iki kadından biri, boynundan aşağısı felçli adama hayatın anlamını tattırır ve onun kurtuluşunu sağlar. Alejandro Amenabar’ın bu çalışması Venedik’te ikinciliği, başrol oyuncusu Javier Bardem’e de En İyi Erkek Oyuncu ödülünü aldı.

Uyuşturucu baronu yüzünden hayatı trajik bir şekilde etkilenen intikam peşindeki bir hemşire, hapisten çıkan bir kartel liderinin sorumluluğuna verilir.

In the near future, the Government aims to replace judges with Artificial Intelligence software, pledging to effectively automate and depoliticize the justice system. Carmen Costa, a distinguished judge, has been invited to assess this new procedure. However, when the software’s creator is found dead, she realizes her life is in danger and that she will have to fight the powerful interests that are at play in the highest echelons of the State.

Ramona’s life in a Galician fishing village is a constant hustle. Always sacrificing everything for her daughter’s future, she will be pushed to look inwards and to think that, maybe, there is something new to live for.

When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn't sure how to convince the boy that he's making a crucial mistake. Ana's client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana's dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.

1918, Castelao leaves his public position in Pontevedra to work as a doctor in Rianxo during the Spanish flu. A hero for the town, but an absent man for his wife, Virxinia. 1929, the couple travels through Britain a few months after the loss of their only son. Two broken beings and a bond that is no longer understood. A trip will unite them forever and ever. Castelao before being Castelao. Galicia before the “xeración Nós”. Castelao and Virxinia before being “we”.

Three indie filmmakers arrive at Madrid with one objective: shoot a documentary about the late pulp writer Plácido Meana.

A tale in four times based in a theatrical performance inspired in the dramatic poem Brand by Henrik Ibsen. Brand wakes up next to a tree in the middle of a desolate space. He seems not remember who is he or what he is doing there. After wandering aimlessly, he meets three unknown who don't speak a word. Without knowing exactly what they want from him, Brand, who sees in everything what surrounds him biblical signs of a divine mission, lets himself be guided by them. From that moment, everything develops as a tale at the same time naive and cruel, in a rough, rude and primitive environment.

When high school teacher Tomás finds the bloodied, dying mayoress of his hometown high up on his local cliffs, he not only becomes obsessed with the case but turns into its first suspect. Though solving the case is local cop Maite's job, Tomás doesn't care if his own private investigation gets in her way. Solving the case might just give Tomás' life the purpose he has been silently dreaming of for so long. Though clashing more than once, the two of them come close as can be to finding the murderer: Norma, Tomas' very own physiotherapist. She killed the mayoress in a fit of rage after finding out one of her many dark secrets - one that lies many years behind but one that has deeply affected her and her family. A twist of fate has it, however, that Norma remains undiscovered; her former fear and powerlessness turn to empowerment and confidence. Then a second murder stirs up the waters. Now an unlikely team, Maite and Tomás resume the hunt for a murderer who is closer than they imagine.